(Photo by Randy Wells) I've been on the road just about the entire month of October. First at Rocky Mountain Audio Festival and this past weekend I M.C.'d at Chad Kassem's 15th Annual Blues at The Crossroads Blues Festival held at his Blue Heaven Studios, a converted church. It was a blast and of course I again got to tour the pressing plant.
When Per Madsen decided to retire a few years ago, thousands of record collectors wished him well but with great sadness. One of the sturdiest, most attractive and convenient record storage systems would no longer be manufactured.
Originally issued as LDS6065 on RCA Soria, this legendary DECCA UK Kingsway Hall recording is easily one of the finest orchestral recordings of the golden age or any age. (Note: image is of an original pressing)
This little hand held wonder designed by the folks at AMR for their joint venture with i-fi Micro, features MM/MC with up to 66dB of gain on the MC input with claimed 90dB S/N ratio, 8 dip switches each for MC resistance and MM capacitive load settings.
In the same room as the Rigid Float tonearm was this new VIDA MM/MC phono stage from Japan that uses an LCR network for RIAA equalization via Lundahl transformers.
Mr. Hiroshi Ishihara of the Japan-based Sibatech, Inc. showed me the unusual and perhaps revolutionary Rigid Float RFE-02H/7 tonearm. The pivot floats in oil with absolutely no other means of support, but more unusual about this design by Mr. Koichiro Akimoto is that the arm geometry features neither an offset angle at the headshell nor an "S" shaped arm tube!
At CES a few years ago, I walked in on Frank Schröder discussing an idea for a relatively simple pivoted tangential tracking tonearm. Now here at RMAF 2012 the Schröder LT is a reality