Cushioned by the Netherlands-based Matangi String Quartet, plus bass drums, percussion and occasional guitar, singer/songwriter/pianist Lori Lieberman delivers a tender, occasionally excruciatingly intimate song cycle replete with regret, heartache, abandonment, longing and loss.
WAM Engineering's new universal WallyTractor is now available from the newly formed company, a partnership between the late Wally Malewicz's son Andrzej, himself a mechanical engineer and Wally's former production assistant J.R. Boisclair. They've just launched the Wallyanalog website where you will find complete details of the new $395 universal WallyTractor and the available services the Santa Rosa, CA based company provides.
Subscription series based Newvelle Records has opened the vaults for a limited time to help ease the missing Record Store Day pain. Now through the Sunday April 26th, selected Newvelle titles are available as single LPs priced at $60 each.
Staffers stealing beer crates every night. £5000 in cash misplaced and incinerated by New Years’ Eve pyrotechnics. A lighting engineer stealing equipment for his own rental business. Seemingly endless tax problems.
Starting with their solicitor’s £5000 company registration fee (compared to the £175 DIY cost), Factory Records’ Manchester, England nightclub, the Haçienda, quickly became a financial black hole and later a cultural icon. Established between Factory and New Order at manager Rob Gretton’s insistence, it opened in 1982 at the corner of Whitworth Street West and Albion Street, in a former yacht warehouse. Assigned the Factory catalogue number FAC 51, it established an amalgamation of the era’s Manchester and New York’s clubs, always being too far ahead of its time. In The Hacienda: How Not To Run A Club, former Joy Division/New Order bassist (and Haçienda co-owner) Peter Hook (aka Hooky) recounts the club’s inner workings, with Andrew Holmes providing additional context blurbs between Hook’s stories.
Alto saxophonist, improv great Lee Konitz who was associated with every style from bebop to avant-garde and especially cool jazz died today at age 92 a victim of the coronavirus.
(Review Explosion is a recurring AnalogPlanet feature covering recent releases for which we either don’t have sufficient time to fully explore, or that are not worthy of it. Curated by AnalogPlanet contributing editor Malachi Lui, Review Explosion will focus on the previous few months’ new releases as well as archival titles and reissues.)
(“Hype: to promote or publicize something intensively, often exaggerating its importance or benefits.” We all succumb to hype, either from others’ high recommendations or our own excitement and anticipation. Once something falls short of those expectations, we rush to denounce it as “overhyped;” not necessarily bad, but underwhelming for however much we expect. Today’s Vinyl Reports feature centers around such overhyped records.)
(Review Explosion is a recurring AnalogPlanet feature covering recent releases for which we either don’t have sufficient time to fully explore, or that are not worthy of it. Curated by AnalogPlanet contributing editor Malachi Lui, Review Explosion will focus on the previous few months’ new releases as well as archival titles and reissues.)
The economic impact of the COVID-19 pandemic is severe and hits the vinyl industry hard with a decreasing demand, closed stores, limited production, and transport bans. However, a quick survey amongst Vinyl Alliance members shows the commitment and resilience of the industry.