This loving tribute to Les Paul featuring longtime trio cohort Lou Pallo and others with whom Les played at Fat Tuesdays and the Iridium is musically fabulous assuming you like the timeless "old school" style. And if not, why not? If it's good enough for Keith Richards, Steve Miller, Billy F. Gibbons and Slash, among others who perform here in that style, well hell, then it's good enough for you!
No doubt Les's playing and his technological innovations with guitar and multi-tracked overdubbing affected all of them. But surely his playing hit them more squarely in their young guitarist wheelhouse.
A record label forensic specialist might be required to trace how The Allman Brothers Band ended up an Island/Def Jam property issued on Mercury Records, all now owned by Universal Music Group. The original was issued in 1969 on the ATCO division of Atlantic Records. Perhaps it had to do with the sale of the late Phil Walden's Capricorn imprint, through which the ATCO deal had been made.
The BBC did not preserve the master tapes of any of The Beatles BBC appearances. The tape was considered more valuable than the performances recorded therein. That's not exactly a secret. The audio used for the original edition of this set first issued in 1994 came from BBC Transcription Service vinyl, tape copies and radio broadcast tapes provided by fans.
If you want to quickly know if you’re going to like Giles Martin’s The Beatles remixes start with “Long, Long, Long”. If you don’t like that one, you’re probably not going to like the rest, but for me, that remix in particular is far superior to the one on the two original “Top Loader” U.K. pressings I have: more transparent and more spacious, with a holographic George front, center and three-dimensional as he’s not presented on the original.
By the time the "classic" Dave Brubeck Quartet arrived at Carnegie Hall on February 22nd, 1963 it had "practiced, practiced, practiced" as the old joke goes. The quartet of Brubeck, drummer Joe Morello, bassist Eugene Wright and alto saxophonist Paul Desmond was a well-oiled music making machine.
It was also the world's most popular and well-known jazz ensemble, having toured the world for the State Department and released numerous big selling albums such as Time Out, which sold well in excess of a million copies.
Originally licensed in 1959 from British Decca and issued by RCA Victor in America on its lavish Soria series as LDS-6065, the "Gala Performances" performed by The Royal Opera House Orchestra, Covent Gardens conducted by Ernest Ansermet continues to draw new enthusiasts to what many consider one of legendary engineer Kenneth Wilkinson’s most spectacular recordings.
You can argue over who is the greatest rock singer, but there's no arguing whether or not Paul Rodgers would be high up on every list compiled by music critics and fellow musicians alike. Rolling Stone placed him at #55 in its list of greatest singers male and female all rock era genres but I'm more inclined to side with John Mellencamp who in 1991 called Rodgers "the greatest rock singer ever".
With its compilation-like title, black and white cover art and wide ranging artists roster, The Sound of Jazz, originally issued in 1958, is often confused with one of Columbia Records' early stereo sampler albums.
This is the first Roy Orbison collection that includes material from all of Roy's excellent recorded adventures. There are twenty six tunes in all, culled from Sun, Monument, MGM, Virgin and The Traveling Wilburys.
Frank Zappa’s sprawling 1969 soundtrack from a movie (he correctly supposes in a speech balloon) “….you will probably never get to see”, has ripened beautifully with age.
Baritone saxophonist Gerry Mulligan's 1959 major label debut features his self-penned liner notes advocating putting the fun back in jazz and not worrying about hipness. Mulligan states that the album is all about fun and he's not kidding.
If you go into this ambitious acoustic Led Zeppelin covers project hard wired for Robert Plant and Jimmy Page you’re probably bound for disappointment but if you just relax into it, you might be pleasantly surprised by what you see in your mind’s eye. You’ll surely like what the production brings to your ears.
During the great folk music revival of the 1960s how many buyers of Peter, Paul & Mary's stunning debut album knew who was the Reverend Gary Davis, writer of the apocalyptic side 2 opener "If I Had My Way"? Probably very few. In those days you'd have to visit the local library to find out who he was, assuming you paid attention to label credits in the first place.