Looks like another year has gone by with a seemingly endless release-cycle parade consisting of scores of brand-new LPs from both known artists and untested newcomers alike, along with a myriad of archival vinyl reissues and overstuffed box sets galore — a good number of them presented in the much-preferred AAA form to boot. With the calendar set to turn over to 2024 any day now, that means it’s high time to assess the best of what we’ve heard on wax during the past 12 months. Read on to see AP editor Mike Mettler and chief LP reviewer Mark Smotroff’s respective lists of the top archival and new LP releases of 2023. . .
The inherent quality of Jack White’s songwriting and production skills ultimately elevated The White Stripes’ much-celebrated April 2003 LP Elephant to the next level — and Analogue Productions’ new AAA 200g 45rpm 2LP version takes it even higher. Read Mark Smotroff’s review to see why Elephant sets yet another benchmark in the ever-expanding UHQR series. . .
That’s right folks, don’t touch that dial — it’s another tag-team album review, just in time for that last-minute holiday push. This time around, AP editor Mike Mettler, along with ace reviewers Mark Smotroff and Ken Micallef, are combining forces to proffer a three-man review of the new 50th anniversary 180g AAA 2LP 45rpm edition of Frank Zappa’s top-shelf September 1973 release, Over-Nite Sensation, an album all three of us regard with great affinity. We also review the limited-edition 3LP version of ONS too, which contains an extra LP of bonus tracks. Read on to see how this Zappa-loving triumvirate of Mike, Mark, and Ken get reety-awrighty with their analysis of a stone-cold classic LP in its new 45rpm incarnation. . .
It’s almost an impossible task trying to “review” an iconic album like Bill Evans Trio’s October 1961 live masterpiece, Sunday at the Village Vanguard, but a new 180g 1LP edition under Craft Recordings’ revival of the Original Jazz Classics series umbrella is most definitely worth a closer look — and listen. Read Mark Smotroff’s review to see why this AAA edition of an all-time jazz classic belongs in your collection. . .
Aja is the fourth (and first non-sequential) entry in Analogue Productions' comprehensive 200g 45rpm 2LP Steely Dan UHQR reissue series — and it’s possibly the most anticipated of them all. Does the UHQR edition of Aja stack up favorably with and/or sound better than the previous LP editions from the label likes of ABC, Mobile Fidelity, and Cisco? Read AP editor Mike Mettler’s in-depth review to find out if the Aja UHQR is worth every bit of those cool 1,500 dime dances it’ll run you tp pick it up (a.k.a. $150, in normal dollars parlance). . .
Mal Waldron Sextet’s Mal/2 — a new AAA OJC 180g 1LP reissue from Craft Recordings of what some might deem a “lost classic” of vintage, mid-century 1950s jazz — offers important and wonderful music for fans of not only titular pianist Mal Waldron, but also of saxophone legend John Coltrane in particular. Read Mark Smotroff’s review to see why he considers the new OJC Mal/2 LP is essential listening, and why it’s well worth adding to your collection. . .
Pretzel Logic, the third entry in Analogue Productions' comprehensive all-analog 200g 45rpm 2LP Steely Dan UHQR reissue series, is indeed a bit of a different sonic animal than its predecessors, Can’t Buy a Thrill and Countdown to Ecstasy. That’s due in no small part to SD co-founders Walter Becker and Donald Fagen wanting the album to have more of a first-call studio musician feel to it overall. Read AP editor Mike Mettler’s in-depth review to find out if the Pretzel Logic UHQR is the kind of record you want on your phonograph. . .
Just how good is Peter Frampton’s excellent new Frampton@50: In the Studio 1972-1975 180g 3LP box set from Intervention Records? The following three numbers tell the tale in shorthand: 100, 50, and 75. Find out what they mean and why this all-analog vinyl collection of three key entries from Frampton’s early solo career sets new standards for box set presentation by reading AP editor Mike Mettler’s in-depth review. . .
In my previous review of the Korppoo Trio by the Sibelius Piano Trio and Yarlung Records, I spoke a great deal about the recording philosophy of this boutique classical outfit and their AAA, 45rpm chamber music records. From the same recording sessions that brought us that exquisite romantic delight, we have another outing with musicians Petteri Iivonen, Juho Pohjonen, and Samuli Peltonen, this time with a decidedly different program.
LOS ANGELES, May 16, 2022 /PRNewswire/ — Sony Music and the Estate of Michael Jackson today announced that it will celebrate the 40th anniversary of Michael Jackson’s Thriller, the biggest selling album of all time, with the November 18 release of Michael Jackson Thriller 40, a double CD set comprised of Michael’s original masterpiece Thriller and an exciting second disc full of surprises for fans including never-released tracks which were worked on by Michael for the Thriller album. To date, the album has amassed in excess of 100 million in sales worldwide.
What seemed like an unlikely pairing in 1962 of “jazz elder” 63 year old Duke Ellington with John Coltrane, who had just assembled his ”classic quartet” destined to explore uncharted musical (and spiritual) territory, produced a surprisingly cohesive and satisfying album.
Los Angeles – May 5, 2022- Verve/Ume and Acoustic Sounds announces the following titles coming throughout the year followed the April 29th release John Coltrane & Johnny Hartman (Impulse!, 1963).
There’s plenty already said about the musical content of Marvin Gaye’s 1971 classic What’s Going On so I’ll avoid redundancy and just say that its scope—from the sociopolitically-minded lyrics to the carefully assembled song cycle structure and luscious musical arrangements—pushed the boundaries of what a Motown release could be, and truly stands the test of time. It’s an endlessly relevant record (decide yourself if that says more about the album’s excellence or society’s failures), and also one of the most exhaustively reissued: in the past 20 years, we’ve seen Universal’s 30th anniversary 2CD featuring the original Detroit mix, more alternate mixes, and a Kennedy Center live recording from 1972; Mobile Fidelity’s SACD and 33rpm single LP releases; UMG’s 40th anniversary “super deluxe” edition adding further session material and alternate versions; quite a few run-of-the-mill digitally-sourced vinyl reissues of the core album, done at United for the US and GZ for Europe; an Abbey Road half-speed 4LP mirroring the 2001 2CD; and MoFi’s 45rpm double LP UltraDisc One Step cut from tape. That’s not including the “Vinyl Lovers” Russian reissues of dubious legal origin cut and pressed at GZ, the 192kHz/24bit hi-res download, a Blu-ray Audio release (remember that format?), and the Japanese SACDs, CDs, and MQA-UHQCDs featuring a flat transfer of the original master tapes (yes, really!).
Craft Records today announced Miles Davis’s Relaxin’ as the next “Small Batch” limited to 5000 copies release. The pre-sale launches Friday April 15th at 2:00 PST/5:00 EST on the “Small Batch” website.