One problem that seems to plague many turntable designers is they frequently start with the assumption that the record you’re going to play on their creation is perfect — as in, it’s flat, smooth, and perfectly centered. Unfortunately, this is rarely true, as most records do have errors of one type or another. Thankfully, the DS Audio ES 001 eccentricity detection stabilizer is here to help determine just how off-center your records might be, and how to fix the issue. Read on to find out more about how the ES 001 does its job. . .
The Hart Audio Special Source Vinyl Super Cleaner Mk3 is a wooden block to which is attached microfiber brush, which is a synthetic fiber finer than one denier or decitex/thread, having a diameter of less than ten micrometers. It's a mix of polyester, polyamide, and polypropylene.
A reader who manufacturers this Reliable Corporation Uberlight™ Flex Task Light sent a few for me to check out. One night he took one home and placed it next to his turntable. He found, among other things, that it let him easily read the inner groove area information on his records and he thought that perhaps I'd also find it useful.
From the folks who gave us the Stable 33.33 transit platter—a device you might only realize you need after getting one—comes the Vinyl Center Hole Reamer. If you've ever had a too small record center hole—and who hasn't— but were afraid to ream it out with a round file fearing an uneven ream resulting in too big a hole, this device is the solution.
While there's some debate about how many hours a phonograph cartridge stylus lasts and how often it should be replaced, one thing's for sure: not keeping track of your cartridge's "mileage" makes difficult knowing when the time's come for a re-tip or replacement.
Mind-Pop Revolution's Presslift is a complex, approximately 1.6 pound machined brass record stabilizer that is also designed to act as an end of side tone arm lift.
Minimizing inter-channel crosstalk maximizes channel separation and helps produce a maximally wide and balanced soundstage. Azimuth is a critical cartridge set-up parameter.
Many if not most gimbaled-bearing tonearms don’t allow for axial tilt adjustment to set azimuth.
With arms that do, unipivot or gimbal bearing, physically making sure the head shell is parallel to the platter or setting cantilever perpendicularity using a mirror, does not insure correct azimuth setting just as an arm parallel to the record does not assure correct SRA/ VTA.
The longevity of Denon's 103 cartridge series, first introduced in the 1960's and still in production speaks to the design's enduring popularity. The design's weak point is its flimsy mounting system. As my colleague Art Dudley put it in the December 2007 issue of Stereophile: "The most common complaint about the DL-103 is also the truest: Its good motor is compromised by a too-flimsy mounting arrangement, with open-edge bolt channels that prevent the cartridge from being rigidly fastened to a head shell."
At CES 2018 optical cartridge maker DS Audio introduced the ST-50 an elegant-looking "pad" type stylus cleaner that uses a transparent urethane pad developed for semi-conductor "clean room" air scrubbing.
It's an age-old problem and a problem of old age— particularly in a cluttered listening room: you put the record on the turntable, put the jacket down and then forget where you put it. Has that ever happened to you?
Koeppel Design, maker of neat record dividers and the snazziest LP carrying bag has the solution with its new LP Block.
The Sugarcube from Musical Surroundings, shown at CES 2016 in prototypical form represents a brand new product category in the vinyl world according to SweetVinyl's Leo Hoarty and he's not spewing hyperbole.
About a decade ago my friend and fellow audio writer Ken Kessler flew over from the U.K. to review the Continuum Caliburn turntable. At the end of a day’s listening it occurred to me that I had on hand not one but two “record demagnetizers"—both in unopened boxes. One was from Furutech, the other from Acoustic Revive.
Electronic stylus cleaners have been around for decades. Though very popular in the 1970s and 1980s, these vibrating devices rapidly fell out of favor for a very good reason.