Best known to American Miles Davis fans as side one of the twelve inch Columbia Records LP release Jazz Track (CL1268), Ascenseur pour l’échafaud (“Elevator to the Scaffold”), the jazz soundtrack to the Louis Malle film was originally released in France in 1958 on the Fontana label as a 10” LP.
Originally released as a double LP back in 1956, Ella Fitzerald Sings the Cole Porter Song Book was both the first of her "songbook" albums and the first release on Norman Granz's then brand new Verve Records (MG V-4001/2).
One of the great albums of the 1960s—for me an essential album— gets the double 45rpm treatment from Mobile Fidelity. Rhino reissued this a few years ago mastered by Chris Bellman and Bernie Grundman Mastering from the original tape.
Jamaican-born pianist Monty Alexander still tours at age seventy two. He was but thirty two when this live album was recorded at The Montreux Jazz Festival.
Analogue Productions recently completed one of the major reissue projects in modern vinyl playback history with the release of the final eight Beach Boys albums in both mono and stereo.
The German MPS label has just released five excellent jazz albums originally released in the early 1970s under the supervision of noted German audio journalist and record producer Dirk Sommer. All have been mastered AAA from the original master tapes by mastering engineer Christoph Stickel, who was responsible for the Oscar Peterson box set Exclusively For My Friends.
Joe Jackson's "angry young man" stance came late in the cycle and so at the time was less than fully convincing. Elvis and Graham had already been there and done that. The picture of Jackson on the back cover of his debut Look Sharp just wasn't convincing.
Yosuke Koizumi, 36, who took over the ART 1000's final production supervision brought some of his 45rpm collection on the second day of my visit...perhaps to assure me that he's way into vinyl and not just doing a "job”.
Seeing the superb documentary “What Happened, Miss Simone” isn’t mandatory but you’ll so much more enjoy this astonishing debut album recorded in 1957 (but not released until 1959) that it’s highly recommended, especially if you have Netflix. You’ll sit transfixed by this exceptional woman’s remarkable and often tragic life story.
If you go into this ambitious acoustic Led Zeppelin covers project hard wired for Robert Plant and Jimmy Page you’re probably bound for disappointment but if you just relax into it, you might be pleasantly surprised by what you see in your mind’s eye. You’ll surely like what the production brings to your ears.
The new subscription-based vinyl-only label Newvelle Records has given analogplanet.com permission to post this video with audio sourced from "Return" Jack DeJohnette's first solo piano record and the label's latest release.