Album Reviews

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Michael Fremer  |  Dec 01, 2007  |  0 comments

They are expensive ($40.00), they are 200 grams thick, the titles are mostly inspired and as you might expect, the pressing and jacket quality are absolutely spectacular.

Michael Fremer  |  Dec 01, 2007  |  0 comments

I am an not even remotely aware of the contemporary opera world. Until handed this disc, I was unaware of either 26 Russian-born soprano Anna Netrebko or 35 year old Mexican tenor Rolando Villazón. The foxy-looking Ms. Netrebko has been called “Audrey Hepburn with a voice,” while Mr. Villazón has not.

Michael Fremer  |  Dec 01, 2007  |  0 comments

If you buy only one LP this year on faith because of what you read on this website, please make it this one that comes from so far out in left field, it’s in the bleachers.

Michael Fremer  |  Dec 01, 2007  |  0 comments

Talk about throwing it back to the 1980s! These guys channel Manifestoera Roxy, Brit/Industrial (Joy Division) and even Haircut 100 on their latest double LP set (CD included for easy iTunes/iPod loading).

Michael Fremer  |  Dec 01, 2007  |  0 comments

Annie Ross may be best know among the “boomer” generation for the lyrics she wrote for Wardell Gray’s “Twisted,” the tune Joni Mitchell memorably covered on Court and Spark.

Michael Fremer  |  Dec 01, 2007  |  0 comments

While hard-bop tenor saxophonist Booker Ervin’s best known work was with Charles Mingus and his later Prestige albums are regarded as the hub of his solo recordings, this 1961 Candid set offers plenty of muscular grit, superb Nola Penthouse sound and the stellar backing trio of George Tucker on bass, Al Harewood on drums and one “Felix Krull” on piano, most likely a Nat Hentoff-assigned name given to Horace Parlan who was contracted to Blue Note at the time. In fact, Tucker and Harewood were part of Parlan’s quartet, as was Ervin for a spell.

Michael Fremer  |  Dec 01, 2007  |  0 comments

There never has been a spectacular-sounding reissue of this great Cream classic and there never will be. Unfortunately, the original recording was not particularly distinguished.

Michael Fremer  |  Dec 01, 2007  |  0 comments

Jimi Hendrix’s second studio effort upped the outrageousness of his debut (British or American), beginning with what many would say was a sacrilegious, though eye-catching, cover and continuing with the opening bit of “nonsense about space ships and even space people.”

Michael Fremer  |  Dec 01, 2007  |  0 comments

Ed. note: Bishop Allen's new album is set to release March, 2009. This review of the group's debut album ran here December, 2007. It gets better with each play and is highly recommended.

Michael Fremer  |  Dec 01, 2007  |  0 comments

Back in 1956 at the dawning of the hi-fi era, the easy listening piano duo of Ferrante and Teicher, (whose career spans six decades) released an album called Soundproof! on Westminster records (WP-6014).

Michael Fremer  |  Dec 01, 2007  |  1 comments

Elvis delivers the album opening “Santa Claus Is Back In Town” on this fall of 1957 release with bawdy, bluesly, burlesque-like delight. There’s nothing in his voice that’s even remotely subtle when he sings “Santa Claus is coming down your chimney tonight,” or any of the rest of the tune’s normally innocent lyrics. At one point in a break Elvis utters some guttural grunts not normally associated with Christmas no how! This probably had teenaged girls tingling and their parents repulsed.

Michael Fremer  |  Dec 01, 2007  |  0 comments

Good luck finding a copy. They're pretty much sold out and the price of used copies is only likely to rise for this iconic grunge-rock album with the "sell-out" cover.

Michael Fremer  |  Nov 01, 2007  |  0 comments

Spoon’s been at it for more than a decade (their first major label CD, the outstanding A Series of Sneaks) was issued by Elektra in 1998, after which the label promptly dropped them), yet after all of this time, when they played New York’s Roseland recently, front man Britt Daniel announced that this relatively small former dance hall, with a capacity of around 3500 (standing room only) was the largest headlining concert the band had played.

Michael Fremer  |  Nov 01, 2007  |  0 comments

Look: if you don’t like The Sweet, Humble Pie, Deep Purple, Neil and Crazy Horse, T-Rex and of course Led Zep and boogie rock generally, Jack White’s brand of retro-crunchrock isn’t going to be to your liking, but if that kind of stuff appeals to you and considerations of modernity don’t apply to your musical meanderings, this record will hit the spot. And how long has it been since that spot’s been hit?

Michael Fremer  |  Nov 01, 2007  |  0 comments

French minimalist acoustic musician Colleen has established an unlikely strong international cult following in the wake of releasing four full-length albums, three of which were available in limited edition vinyl.

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