Love this music album. The classic songs have power and can influence the listener on the deepest levels. - Integrity Spas
Classic Protest Songs For A New Generation
Keb' Mo's mellow protest album recycles classics from the '60s and '70s, recasting them for the 2004 mindset witnessing the greatest strategic foreign policy mistake in American history.
Keb' Mo's mellow protest album recycles classics from the '60s and '70s, recasting them for the 2004 mindset witnessing the greatest strategic foreign policy mistake in American history.
Even the opener, Stephen Stills' '60s paranoia-soaked "For What It's Worth" opens the set with a slinky, laid back groove. Harold Melvin and The Blue Notes' "Wake Up Everybody" gets reverential treatment, with Reggie McBride's strong bass line dominating along with Paulinho da Costa's percussion. A string section fills in the open spots.
The Rascals' (Brigati-Cavaliere) firey, up-tempo "People Got the Be Free" gets a mellower, more resigned reading, with less emphasis on the horns. In fact Keb' Mo' (Kevin Moore) applies the same easy going tactic to everything here. Keeping the stridency levels low and the groove levels high works really well because Keb' Mo' avoids competing with the originals while making "protest" songs palatable for all.
"Talk," an imaginary conversion with the president is the sole original. The message is "Why don't we talk to each other."
Other covers include Marvin Gaye's "What's Happening Brother," Chet Powers' "Get Together" immortalized by The Youngbloods, Dylan's "The Times They Are A-Changin'" Nick Lowe's essential "(What's So Funny 'bout) Peace, Love and Understanding" and of course John Lennon's "Imagine," the tone-setter for everything here.
The recording is superb L.A. studio circa the era in which it was recorded and it was mostly recorded at L.A.'s best: The Village Recorders and Conway. Could this minor project have been recored analog? I just can't imagine that but it sure sounds great, however it was recorded and whatever source was used. Deep tight bass and cracking percussion. How can you go wrong?
Not what I'd call a major essential LP for any collection but a really nice one that sounds fantastic and will put you in a good mood.
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Hi Michael,
i am new here and from Germany with a Feickert turnable.
I love Keb Mo but this record has to much bassenergy and the kickdrum is much to loud. I don`t know why mixing engineers today often overtravel it in the bass region.
I wish a good day, Thomas