Are you old enough to remember when New York State, much of the rest of the Northeast, and parts of Canada were blacked out by a power failure on November 19th, 1965 at 5:18pm? I was in my Phi Sigma Delta frat-house library at Cornell, HO model-car racingfor money. At the flick of the wrong switch, all bets were off for the night. I'll never forget that.
Where were you when you heard your first compact disc? I'll never forget where I was: at an early-'80s AES Convention in Los Angeles. It was Roxy Music's Avalon played on a refrigerator-sized machine, and the sound was as awful as the technology was brilliant.
I may not have been listening as an industry insider on the playing field of the audio biz, but I wasn't exactly a spectator in the stands, either. I was kind of on the sidelines. You have to at least be on the sidelines to attend an AES demo of the new electronic future.
Numerogroup's Rob Sevier has responded to my charge that his Wire piece was the "Stupidest Article Ever Written About Vinyl". And as expected, his response was infantile, petulant and utterly predictable.
(This post was originally published on the Stereophile.com website where you can also find very thorough coverage of T.H.E. Show Newport 2013. With John Atkinson and Jason Serinius on the job, I was free to look for analog gear knowing their report would cover the systems and sound-Ed).
When first released by RCA as a single LP back in 1988 (RCA 9589-1-R) this album, probably sourced from digital, created a sensation—at least among the legions of Elvis Presley fans.
After attending the industrial strength Munich High End Show, any other audio show anywhere would probably be somewhat of a letdown. I attended T.H.E. Show Newport Beach 2013 with little expectation of analog news.
Tom Vu's Triangle Art turntables have typically been large, massive, expensive designs. His Signature turntable sells for $12,500, while the Reference SE costs $20,000.