It's time to put to bed a long standing record myth: that UK Decca and UK-pressed London records are different pressings, even if they have the same matrix numbers, mother numbers and stamper numbers. This myth has persisted for a very long time, fed by people who claim to hear differences between such records even when the information in the lead-out groove area is identical.
In the June "Analog Corner" I wrote written that "Baby You're A Rich Man" on the US release of the Beatles' Magical Mystery Tour LP was originally issued in electronically reprocessed stereo because "Capitol back then didn't really give a shit." (MMT was first issued in the UK as a double 7" EP, Parlophone MMT/SMMT-1) Reader Preston Reese responded in a letter ("Letters," September '97 p.17) that while "the original 1967 US LP release [of MMT] was a combination of stereo mixes and mono mixes re-channeled for stereo," the master of "Baby You're a Rich Man" was a processed stereo version "provided to [Capitol] by the Beatles and their producer George Martin in 1967...It wasn't until four years later, in October 1971, that 'Baby You're a Rich Man' got around to its first stereo mix, created for the German LP release of Magical Mystery Tour."
Register to win a set of V-Moda M-80 Headphones (MSRP $230) we are giving away.
"Masterfully tuned by a legion of legendary musicians, producers and DJs, M-80 packs unique materials, professional acoustics, natural noise isolation, ultimate ergonomics and military-level ruggedness into a design 53% smaller than its now legendary, over-ear sibling, Crossfade LP."
We often talk about "cross-pollination" opportunities in the high performance audio world, like putting a cool system in a high-end furniture store or at trade-shows not associated with audio. It's a good way to interest a different demographic to the hobby.
I was just alerted to this event by a friend who is the oleologist (olive oil specialist) at New York's Eataly, the world's largest artisanal Italian food and wine marketplace, organized along similar lines, at Del Posto, one of New York's premier Italian restaurants—the first Italian restaurant in forty years to receive a four star review from The New York Times (in 2010).
Sexual obsession, ugly betrayals, bitter kiss-offs, working men's tribulations, murder and mayhem— all of the traditional British balladry fare continue to preoccupy Richard Thompson as they have for decades. While he's moved on occasion through musical fashion, he always manages to return, as he does here, to his ground zero (dis)comfort zone.
Everyone knows that composer John Williams cribbed Holst's "The Planets" for his "Star Wars" soundtrack. Fewer know that the main theme and even the arrangement for "Star Wars" is almost a complete rip of Eric Wolfgang Korngold's score for the movie "King's Row" starring Ronald Reagan, Ann Sheridan and Robert Cummings. People absolutely freak out when I play it for them.
The first 27 of the hundreds of Analog Corners written for Stereophile have now been published on this site with many new accompanying photos courtesy of Ariel Bitran, Stereophile's hard working editorial assistant.
Our intrepid reporter had no idea why 650,000 records were in a warehouse in York, or who owned them, but he took the bait nevertheless. Photos by Michael Fremer.
I heard this story from a manufacturer whose car broke down somewhere in a rundown Queens neighborhood one afternoon: He went into a bodega to make a phone call and struck up a conversation with the owner. Their talk led to audio, then to a trip to the basement of the former record store, where thousands of Living Stereos and other audiophile treasures had been sitting for decades, gathering dust and value. The manufacturer would visit each week and walk out with a few hundred unplayed gems, for which he'd pay a few bucks each.
True story? Audiophile wet dream? Who knows? Who cares? We love this stuff. So when I got a call from Rick Flynn (proprietor of Quality Vinyl, a mail-order, audiophile-oriented record dealer) about 650,000 recordsevery one of them stone-cold mintlocked in a warehouse in York, Pennsylvania since 1973, and would I like to have a look...I bit.
Here's a company that fell well below my radar screen for years until a reader alerted me to its website. The Electric Recording Company and its founder Pete Hutchison is dedicated to reissuing on vinyl much sought after classical music fare from the early LP era, including those of legendary violinist Johanna Martzy as well as recordings by violinists, Leonid Kogan and Gioconda De Vito, ‘French School’ pianists Yvonne Lefébure and Germaine Thyssens-Valentin and cellist János Starker.. Or as the website describes the musical choices "...iconic 'Holy Grail' recordings by the most revered classical performers."
With his influences clearly imprinted on his creative sleeve, Adam Duritz and friends created in 1993 one of the last great analog rock recordings. Duritz understood that sound mattered as did producer T-Bone Burnett who continues to treasure the basic sense even when working with diminished budgets.