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Analog Corner
Analog Corner #66
Michael Fremer  |  Dec 15, 2017  |  First Published: Jan 01, 2001  |  11 comments
Despite being shown concrete documentation that analog is alive, well, and growing, there are still some audio writers who deny its very existence. I'm talking about some of the folks at Sound & Vision. I haven't popped off in print about other magazines in this column (much)—it's not good form. True, when yakking with industry types, I've occasionally referred to that magazine as Deaf & Blind, and it's obviously gotten back to them: the "Hellos" and handshakes at press events have turned to icy stares. Just joking, guys! After all, we're Stereopile. Then there's The Obso!ete Sound. Ha ha ha ha. Sticks and stones, etc.

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Analog Corner
Analog Corner #65
Michael Fremer  |  Dec 11, 2017  |  First Published: Dec 01, 2000  |  2 comments
The OTT V.Y.G.E.R. Indian turntable made its debut at the 2000 Top Audio and Video Show in Milan

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Analog Corner
Analog Corner #64
Michael Fremer  |  Dec 08, 2017  |  First Published: Nov 01, 2000  |  5 comments
First, let's throw egg on a few faces. Due to a communications screw-up, I passed on to you some wrong and incomplete information about the workings of the Lyra Helikon cartridge in my August 2000 "Analog Corner." Without assessing percentages of blame, let's just say that the three likely suspects (manufacturer Scan-Tech, American importer Immedia, and yours truly) accept full responsibility for the misinformation and miscommunication. I'm being generous here by including myself, but hey, you know me. (Actually, you don't, which is why I can claim to be generous.)
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Analog Corner
Analog Corner #63
Michael Fremer  |  Dec 04, 2017  |  First Published: Oct 01, 2000  |  11 comments
"Simply Annoying," the section of last February's "Analog Corner" devoted to British reissue company Simply Vinyl, did not result in any clarification from the label regarding its source material—my e-mails went unanswered. Apparently, however, some consumers have had more luck.
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AAA VinylNews
UHQR Returns, This Time From Analogue Productions Starting With Jimi Hendrix Classics
Michael Fremer  |  Dec 01, 2017  |  44 comments
50 years to the day of its original release in both mono and stereo, Analogue Productions announces tomorrow the UHQR reissues of Jimi Hendrix's epic Axis: Bold As Love, newly remastered from the original analog master tapes by Bernie Grundman. Click that hyperlink and watch Bernie at work cutting!

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Features
Riva Audio's Magic Wand!
Michael Fremer  |  Nov 30, 2017  |  12 comments
Just had to sneak this in before heading for vacation. Riva Audio's Wand is a spectacular-sounding wireless Wi-Fi based distributed audio system that features open architecture, meaning you can stream using Google's Play app via Chromecast, or Apple's Airplay, or directly from a hard drive via DLNA or control the system Riva's own Wand app, at up to 192/24 bit resolution. It has Spotify built in.

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Can I Have My Money Back?
Goin' Fishin'
Michael Fremer  |  Nov 30, 2017  |  12 comments
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Analog Corner
Analog Corner #62
Michael Fremer  |  Nov 30, 2017  |  First Published: Sep 01, 2000  |  0 comments
What's June without a hi-fi show? With Stereophile's exhibition put on hold for 2000 while emapUSA sorts out future possibilities—Manhattan in May 2001 is the most probable place and date—I flashed on High End 1996 in Frankfurt, Germany, a June show I'd attended and reported on in this column. German audiophiles were still heavily into vinyl back then, so why not hit High End 2000?
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Analog Gear NewsNews
Portugal-Based Sempersonus Introduces New Epicyclic Drive Turntable
Michael Fremer  |  Nov 29, 2017  |  6 comments
Sempersonus, a new audio company based in Lisbon, Portugal just announced its first product: a turntable based upon an idler wheel-type drive it calls "Epicyclic Drive", because the motor and pulley directly drive the platter's inner rim.

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Analog Corner
Analog Corner #61
Michael Fremer  |  Nov 27, 2017  |  First Published: Aug 01, 2000  |  2 comments
Joni Mitchell played The Theater at Madison Square Garden recently, supporting her new CD, Both Sides Now. Mitchell with symphony orchestra sounded like a no-brainer, so we got tickets, though by the time my friend was able to get through online to Ticketmaster the best seats were gone. We got second-best accommodations for $75, which seemed reasonable, given the cost of rehearsing an orchestra, then traipsing around the country with it.
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