A planned trip to the U.K. to attend a Chasing the Dragon Records direct-to-disk recording session at AIR Studios seemed like a good time to accomplish some other business. So in addition to covering the recording session, analogPlanet editor Michael Fremer paid a visit to Rega, where he'd not been in twenty years (factory tour video to come) and connected with veteran recording engineer Phill Brown and arranged for an interview.
Sonus faber launched updated versions of the Homage Tradition line’s Amati and Guarneri loudspeakers and added the new Serafino, at an all-day event at the six-story World of McIntosh townhouse in lower Manhattan. Another updated speaker, the center channel Vox was listed in the brochure but not shown during the day-long roll out.
The outstanding and thoughtful responses to the SL-1200G/Continuum Caliburn comparison both here and on the YouTube channel prompted a second one using, as requested, a female vocal track. Unidentified 96/24 links now provided below YouTube widget.
The Sl-1200G review will post shortly. Meantime, here's a comparison between it and the Continuum Caliburn fitted with the SAT arm, both fitted with a Lyra Etna cartridge.
AnalogPlanet Radio's "Bang Your Head Against a Wall" All-Percussion Radio Show can now be streamed here via the Soundcloud widget embedded at the bottom of this page.
After posting the story "Three Percussion Records You Should Own Bob Ludwig emailed that I should get Percussion Music (Nonesuch H-71291). I emailed back that I had it and that prompted the decision to produce an all-percussion show for tomorrow’s WFDU HD2 AnalogPlanet radio show.
Pictured are three percussion records you should own—especially if you feel like banging your head against the wall. One is an "oldie" Living Stereo novelty that's back in print, one was originally released in 1984 thanks to a grant from The National Endowment For the Arts (today an endangered species) reissued in the 1990s and one is a current release.
We think of "field recordings" as vital ancient musical history, primitively captured. These "field recordings" dating from the 1990s were recorded using a pair of Bruel & Kjaer 4165 microphones and B&K power supply, Cello preamp, Apogee 1000 ADC and a Nagra D digital recorder given by Mark Levinson (the man) to producer Timothy Duffy .