LATEST ADDITIONS

In January 1961, Riverside Records sent the great, but sadly uncelebrated recording engineer, David Jones (also known as Dave Jones and David B. Jones) to New Orleans to record Black traditional jazz musicians for a projected series of albums to be called “New Orleans—The Living Legends”. Jones is little remembered today and remains a shadowy figure, despite recording five months later, also for Riverside, the all-time audiophile classic Bill Evans LPs, Sunday At The Vanguard and Waltz For Debby. Jones did not follow the career path that made other recording engineers who were his contemporaries, latter day icons. He never recorded rock or pop music, limiting himself to on-location recordings for small independent labels of ethnic and classical music, and occasionally jazz. The personal recording style that he created and mastered strove to capture the natural sound of instruments in a room from a slightly distant, contemplative perspective and eschewed whizzbangery and artificial flash. It’s a subtle style that does not immediately impress and one that has undoubtedly limited his reputation.

Newvelle Records just announced The New Orleans Collection, a new 4 LP set featuring brand new recordings produced this spring featuring Irma Thomas, Little Freddie King, Jon Cleary and the final recording by the late Ellis Marsalis who soon after making this record, passed away from Covid-19.

June 11, 2020—Verve Label Group and UMe announced today the July 31st launch of a new “audiophile grade”, all-analog reissue series supervised by Acoustic Sounds CEO Chad Kassem, featuring iconic titles from the Verve, Impulse!, Philips, EmArcy and Decca catalogs.

The lineup is like "Austin City Limits" on steroids for this two hour live video and audio stream organized by Paul Simon, Edie Brickell, Willie and Annie Nelson and their organizations in conjunction with Luck Reunion to support and celebrate hard-hit by the coronavirus pandemic Austin, Texas.