LATEST ADDITIONS

Beginning with his eponymous 1970 debut, and continuing throughout eleven Warner Brothers solo albums, Ry Cooder has demonstrated that in addition to being an extraordinary folk/blues guitarist- particularly on bottleneck, and a serviceable, though hardly distinguished vocalist, he is also a high caliber musicologist and A&R man. While Cooder’s specialty has been mining the more obscure tributaries of the rich vein of American music deposited during the Great Depression, he has also unearthed musical riches from around the world, particularly the Caribbean and Mexico.

His solo albums are sprinkled with unknown and out-of-the-way delights like Dickey Doo's "Teardrops Will Fall" and the calypso "F.D.R. In Trinidad"- as well as some better known songs like "One Meat Ball", Woody Guthrie’s "Vigilante Man" Huddie Ledbetter's "Teardrops Will Fall", The Drifter’s 1954 hit "Money Honey", and Johnny Cash’s "Hey Porter".

Song Cycle dominates the Van Dyke Parks discography the way "Citizen Kane" overshadows Orson Welles' cinematic output. That simply cannot be denied, though Welles created other outstanding films- "The Magnificent Ambersons" and "Touch Of Evil" for example.

It is difficult to grasp the date this session was recorded: December of 1956. That makes it almost 50 years old. Yet the music is as utterly fresh and full of surprises and good humor as it was in 1956. And the sound remains vibrant and full bodied as well; the highs extended and crisp, the transients sharp and clean. In fact, this double 45rpm set positively kills the Riverside original in every way: I know, because I’ve owned a copy since the mid ‘60s. During my first year at Cornell in 1964, either Riverside was going out of business or needed some quick cash, because the book store had what seemed like the entire Riverside catalog on sale for $1.98. I bought as many as I could afford.

While this much-loved Blue Note lists Adderley as the group leader, this pick-up session--recorded in 1958, just before Kind of Blue--sounds, for the most part, as if Miles Davis is in control: or at least that his sensibilities at the time had deeply influenced Adderley's musical thinking. With Hank Jones on piano and the rhythm section of Sam Jones and Art Blakey, whoever is in charge leads the group through a set of three standards ("Autumn Leaves," "Love For Sale," and "Dancing in the Dark") and two originals (Nat Adderley's funky "One For Daddy-O" and Davis' own "Somethin' Else").