Recording direct-to-disk is difficult enough. The entire side has to be cut in one long take. Consider a big band vocal album like this, which has four songs per side. The orchestra and singer have to be ready as soon as the cutting stylus hits the lacquer and then they have to perform flawlessly on each track, pausing but a few seconds between songs.
Jay Fisher, in his mid-forties is Apple Rabbits. He writes and arranges, sings, plays guitar, bass, piano, keyboards and percussion. He also likes to experiment with electronica. The strings and flutes on this record are real though, and very convincingly recorded .
The late Allen Touissant preferred working in the background for most of his long career. He got his start playing piano in the 1950’s, when his Dr. Longhair-influence rollicking style caught the ear of Dave Bartholomew, Fats Domino’s producer.
In a cross-label move similar to the Stones stereo box sets from ABKCO and UMe, Tom Petty's complete vinyl catalog will be issued in two 180gram box sets: one featuring his MCA output (1976-1991) and one covering his later Warner Brothers catalog (1994-2014).
The jazz subscription vinyl-only label Newvelle, which had a successful first year, releasing albums by Frank Kimbraugh, Jack DeJohnnette, Noah Preminger, Don Friedman, Ben Allison and Leo Genovese (feauturing Esperanza Spalding and Jack DeJohnette), just announced its second year kickstarter launch.
"Bob Dylan" stops by the WFDU-HD2 studios to talk with AnalogPlanet editor "Michael Fremer" about his Nobel Prize for Literature and his career. The "two" spin records and Bob recollects leaving Hibbing, MN for Minneapolis, Chicago and then New York City.
Best known to American Miles Davis fans as side one of the twelve inch Columbia Records LP release Jazz Track (CL1268), Ascenseur pour l’échafaud (“Elevator to the Scaffold”), the jazz soundtrack to the Louis Malle film was originally released in France in 1958 on the Fontana label as a 10” LP.