A reader alerted me to the fact that some online sites are selling a variety of "Pink Moon" reissues including one from the aptly named "Phantom" label. Be careful!
For a company whose initials stand for “Scale Model Equipment” the massive turntables SME builds are anything but. The company, founded in post WW II England, began as a manufacturer of scale models, then popular in the engineering trade.
SME founder Alastair Robertson-Aikman was an audio hobbyist who one day decided to apply his engineering acumen and put to work the talented designers and machinists in his employ to produce a tone arm for his own use.
It's time to put to bed a long standing record myth: that UK Decca and UK-pressed London records are different pressings, even if they have the same matrix numbers, mother numbers and stamper numbers. This myth has persisted for a very long time, fed by people who claim to hear differences between such records even when the information in the lead-out groove area is identical.
In the June "Analog Corner" I wrote written that "Baby You're A Rich Man" on the US release of the Beatles' Magical Mystery Tour LP was originally issued in electronically reprocessed stereo because "Capitol back then didn't really give a shit." (MMT was first issued in the UK as a double 7" EP, Parlophone MMT/SMMT-1) Reader Preston Reese responded in a letter ("Letters," September '97 p.17) that while "the original 1967 US LP release [of MMT] was a combination of stereo mixes and mono mixes re-channeled for stereo," the master of "Baby You're a Rich Man" was a processed stereo version "provided to [Capitol] by the Beatles and their producer George Martin in 1967...It wasn't until four years later, in October 1971, that 'Baby You're a Rich Man' got around to its first stereo mix, created for the German LP release of Magical Mystery Tour."
Register to win a set of V-Moda M-80 Headphones (MSRP $230) we are giving away.
"Masterfully tuned by a legion of legendary musicians, producers and DJs, M-80 packs unique materials, professional acoustics, natural noise isolation, ultimate ergonomics and military-level ruggedness into a design 53% smaller than its now legendary, over-ear sibling, Crossfade LP."
We often talk about "cross-pollination" opportunities in the high performance audio world, like putting a cool system in a high-end furniture store or at trade-shows not associated with audio. It's a good way to interest a different demographic to the hobby.
I was just alerted to this event by a friend who is the oleologist (olive oil specialist) at New York's Eataly, the world's largest artisanal Italian food and wine marketplace, organized along similar lines, at Del Posto, one of New York's premier Italian restaurants—the first Italian restaurant in forty years to receive a four star review from The New York Times (in 2010).
Sexual obsession, ugly betrayals, bitter kiss-offs, working men's tribulations, murder and mayhem— all of the traditional British balladry fare continue to preoccupy Richard Thompson as they have for decades. While he's moved on occasion through musical fashion, he always manages to return, as he does here, to his ground zero (dis)comfort zone.
Everyone knows that composer John Williams cribbed Holst's "The Planets" for his "Star Wars" soundtrack. Fewer know that the main theme and even the arrangement for "Star Wars" is almost a complete rip of Eric Wolfgang Korngold's score for the movie "King's Row" starring Ronald Reagan, Ann Sheridan and Robert Cummings. People absolutely freak out when I play it for them.
The first 27 of the hundreds of Analog Corners written for Stereophile have now been published on this site with many new accompanying photos courtesy of Ariel Bitran, Stereophile's hard working editorial assistant.
Our intrepid reporter had no idea why 650,000 records were in a warehouse in York, or who owned them, but he took the bait nevertheless. Photos by Michael Fremer.
I heard this story from a manufacturer whose car broke down somewhere in a rundown Queens neighborhood one afternoon: He went into a bodega to make a phone call and struck up a conversation with the owner. Their talk led to audio, then to a trip to the basement of the former record store, where thousands of Living Stereos and other audiophile treasures had been sitting for decades, gathering dust and value. The manufacturer would visit each week and walk out with a few hundred unplayed gems, for which he'd pay a few bucks each.
True story? Audiophile wet dream? Who knows? Who cares? We love this stuff. So when I got a call from Rick Flynn (proprietor of Quality Vinyl, a mail-order, audiophile-oriented record dealer) about 650,000 recordsevery one of them stone-cold mintlocked in a warehouse in York, Pennsylvania since 1973, and would I like to have a look...I bit.