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The press release announcing this record out March 26th on Luaka Bop is more coy and less informative, though that will probably change closer to the release date. However, I have a test pressing sent by a friend. Chris Bellman cut lacquers, RTI pressed, I don't care the source

(Ed note: This is the first voice memo review on AnalogPlanet) Jacob Collier rightfully displays a childlike fascination with music. It would be a mistake, though, to confuse his youthful exuberance with mediocrity. The 26 year old, who released his first album five years ago, gets praise from music business legends. Herbie Hancock is in awe of Collier’s performance and production abilities. Quincy Jones, recognizing the multi-instrumentalist’s potential, signed Collier to his personal management division.

(Copyright 2021, Harvey Kubernik) (Eliot Mazer photo courtesy Burson Audio.)

Elliot Mazer, the recording engineer and record producer who worked with Kenny Burrell, Chubby Checker, Maynard Ferguson, Richie Havens, Janis Joplin, Neil Young, Linda Ronstadt, Bob Dylan, Jack Nitzsche, Crosby, Stills, Nash & Young, and The Band died this past weekend at his San Francisco home at age 79. Cause of death was a heart attack. Mazer had battled dementia for a number of years.

Before getting to the image above, let's reiterate some cartridge set-up facts: despite the instructions that accompany most turntables and tone arms, you can't reliably set stylus rake angle to 92 degrees by putting your tone arm parallel to the record surface. Insuring that the cantilever is perpendicular to the record surface does not mean you've correctly set azimuth. Why do the manufacturers tell you to do those things? To make set up simple, instead of telling you what you need to do to accurately set these critical parameters.