This year, Brian Wilson and Van Dyke Parks’ 1994 project, Orange Crate Art, turns 25 years old. To celebrate, Omnivore Records has reissued and remastered the album and brought attention and care to a somewhat disremembered historical artifact created by two musical luminaries. Of note, Omnivore’s campaign is the first time this album has been released on vinyl.
Record weights and clamps cause a sonic difference that’s difficult neither to hear nor to explain. A stylus coursing through the grooves stamped on a slab of vinyl releases a tremendous amount of mechanical energy, some of which does not exit the system as it’s supposed to: up the cantilever. Instead, it gets reflected back into the vinyl, where it can cause the record to resonate unless it’s damped in some way. There is also potential vibrational energy coming the other way—from the tonearm, the motor, and the bearing—but the better your arm and turntable, the more likely that the problem that needs solving is that of vibrations coursing through that thin slab of vinyl.
Lou Reed's Sire Records debut New York first released in 1989 gets the deluxe Rhino treatment in a new box set scheduled for September 25th release. The original was a gold record-selling, Grammy nominated album with the memorable "Dirty Boulevard" a #1 hit on the Modern Rock charts.
This just in: Pat Metheny’s complete ECM catalog of 11 albums, which includes Bright Size Life, Offramp, and 80/81, will be available for the first time on July 31st as high-resolution masters for download and streaming.
This previously unreleased March 9th 1959 session recorded at Rudy Van Gelder’s Hackensack home studio is a “must have” for Blue Note “completists”, especially for those with an affinity for car and plane crash videos. If you are just getting into the rich Blue Note catalog, your money is best spent elsewhere as this session, despite the stellar group, often sounds listless and forced. Grooves get glossed over in favor of speed.
According to Accentus Music, which will release this 3 LP 45rpm direct-to-disc set, the 1,111 copies limit has no particular significance. It just seemed like a 'nice number'. The significance I see is that it will probably quickly sell out!
Though today's Technics Direct Drive turntables are for audiophile not disco use, not surprisingly "Little Fwend"'s playful Norwegians wood name their specially designed for Technics turntables end-of-side arm lifter "Little Disco Fwend".
Switzerland-based HiFiction, best known for its line of Thales tangential tracking pivoted tonearms and high-performance compact turntables recently announced a new, high technology cartridge line called X-quisite (in July of 2018 HiFiction announced its acquisition of EMT’s cartridge assets).
The Emil Berliner Studios Direct-to-Disc recording team supervised by Rainer Maillard, responsible for the D2D Brucker 7th symphony with Bernard Haitink conducting the BPO, shipped its entire disc cutting system exactly one year ago to Bamberg, Germany (the first time the gear had left Berlin) to record for Accentus Music at Konzerthalle Bamberg, Joseph-Keilberth-Saal D2D at 45rpm Czech composer Bedřich Smetana’s symphonic cycle “Má vlast” (My Homeland), best known for including “Vitava” (“The Moldau”), with The Bamberg Symphony, conducted by its musical director Czech-born Jakub Hrůša.
Suave, swinging and exuberant, Michael Weiss’s self-produced Soul Journey sounds something like a big band playing on a Blue Note Records date, but it’s really a small ensemble making like a big one thanks to Weiss’s deft, harmonically-rich, rhythmically neck-snapping arrangements and free-spirited yet tightly drawn, well-meshed performances by the three man veteran horn section of saxophonist Steve Wilson, trumpet and flugelhorn player Ryan Kisor and trombonist Steve Davis.