"Jenny Sings Lenny" as Mr. Cohen playfully referenced this album in a cartoon included in the original release's liner notes but for some reason omitted here, both technically and musically has never sounded better.
Hunky Dory introduced a kinder, gentler David Bowie after two heavy albums laden with mythological imagery and pleasant dread—not that this album doesn't also include heavy doses of the latter.
The story that has been handed down through the decades goes like this: Simon and Garfunkel’s vinyl LPs were originally produced using master tapes. Because S&G became so popular, over time the tapes would show signs of wear, so Columbia engineers would make a copy, toss the original, and begin cutting lacquers using the copy.
This minor musical and major sonic gem features the great vibraphonist Gary Burton, Dave Brubeck Quartet drummer Joe Morello (reference only in case you just arrived from outer space) and veteran bassist Joe Benjamin on a jazz session headed by the great Nashville guitarist Hank Garland.
Jerome Sabbagh's The Turn puts his long-running jazz quartet in New York's famed Sear Sound with veteran engineer James Farber at the board. The musicians managed to record to two-track analog tape the more than an hour's worth of music spread over the four sides of this double 180g LP set. That's getting you money's worth from a single studio session.
Taylor Swift’s 1989 released in October of 2014, sold 1.27 million albums in its first week and debuted at #1 on the Billboard Top 200 chart. By the end of the year it had sold 3,660,000 copies, remaining at the top of the chart for most of that time.
The fourth Kinks album was the first on which Ray Davies removes his hard rock shell. It’s clear in retrospect that many artists from the ‘60s rock era were rocking only because that’s what the times demanded.
The Wichita and Lawrence, Kansas-based Wrong Kata Trio has been playing together since 2010, though the three have been performing in the area for fifteen years.
Squishy, sticky, elastic beats, some so slow and off-kilter that they threaten to fall apart, ghostly falsetto harmonies, cavernous empty spaces between the rhythmic wah-wah pulses and a distant, almost other-worldly sonic perspective announce D’Angelo’s singular sinewy yet gentle vision.
Only one of them had actually ridden a surfboard. They weren’t hot rodders or drag racers and by the time the group formed in 1961 lead vocalist Mike Love was already 20 years old and arguably more a man than a “boy”. Al Jardine was 19 as was Brian Wilson. Brothers Dennis and Carl were, respectively, 17 and 15, so they qualified as “boys”.