Instead of re-issuing this yet again, some folks argue that Analogue Productions should reissue newer albums. They are tired of hearing again what they already have. What they forget is that the last reissue of this classic was many years ago. Sorry, but time flies, especially as you get older. And guess what else? That issue by Classic Records is long out of print as is the one Mobile Fidelity first issued around twenty years ago when the label decided to re-enter the vinyl market and press its own records in Sebastopol.
Back in 1963, Frank Sinatra, the brawling "rat packer," lounge-lizard wise-cracker took a short retirement to record this album of classic Broadway show tunes, with the emphasis on Rodgers and Hammerstein, lushly orchestrated by Nelson Riddle.
No, this is not up there with After School Session or Berry is on Top but this Chuck Berry album, his first after being released from prison for having violated the Mann Act (transporting minors across state lines to have sex) and issued as Beatlemania swept the world, has plenty of hits along with a lot of filler.
Why Pat Metheny remains “controversial” and even reviled by some jazz enthusiasts remains a mystery to me, though of course he also has an enormous international fan base. He’s criticized for not having sufficient “grit” or for being too “happy” for want of a better word. I don’t get it.
Elton John's second album was his first in America and it immediately established him as both a major talent and a star, even if it took a few more albums for him to achieve superstar status. Empty Sky the first album issued in the UK showed the talent but it was only a showcase.
Well after this SACD review had been posted, the double 180g LP arrived. It takes the sound up a significant number of notches, producing greater imaging and staging three dimensionality. The hall reflection is more distinct, King's voice projects further forward and the sometimes rough vocal textures are enhanced in a way that makes it sound more "live.". The string section sounds richer and fuller when it's added and the "you are there" sensation is greatly enhanced overall. If you've not picked this up on SACD, I'd say it's worth spending the extra to get it on LP. A great sounding time capsule for sure!
Alto sax bop legend Art Pepper (1925-1982) had accrued a lot of mileage but few OnePass points when he blew into London with his trio in June of 1980 to play a fortnight gig at the famous Ronnie Scott’s Club.
While American soul music— northern urban and southern rural—and UK-via-the-Caribbean-derived Ska course through the veins of the fourth Elvis Costello and the Attractions album, the flesh thankfully remains white limey.
Anyone who thinks exploitation/commercialization is a recent development wasn’t around in the aftermath of George Harrison’s discovery of Indian music and his use of a sitar on “Norwegian Wood.”
(Note: this review originally stated that the lacquer cut was from the 3 track master. That was incorrect. The master here was the two track original that hadn't been used since 1980. While the tape had some dropout and other issues, mastering engineer George Marino determined it still sounded superior to any of the copies used for subsequent reissues.)
Don’t let the October 16th 1956 mono recording date fool you: this Jean-Baptiste “Illinois” Jacquet session was recorded in Los Angeles, probably at legendary Radio Recorders, and the sound will knock you down.