Album Reviews

The acclaimed violinist Salvatore Accardo commissioned arranger Francesco Fiore to re-imagine his dear friend Astor Piazzolla’s “Adios Nonino,” for, violin, piano and orchestra. Not a bandoneon can be heard on this lush, extraordinarily moving tribute to the great tango composer’s father, whose middle name was “Nonino.”

Sonny Rollins sparring with Freddie Hubbard (title tune only) backed by the reunited Coltrane drum’n’bass section of Elvin Jones and Jimmy Garrison sounds like an enticing lineup for this May, 1966 session at Van Gelder’s and it is!

There’s nothing groundbreaking on this 1960 Parlan-lead session, but that’s okay. The lure here isn’t the musical construction, since it covers familiar grooves and doesn’t move jazz forward. In fact, you’ll hear familiar gestures, some gleaned from Miles’ modal Kind of Blue issued a few years earlier, others from common blues.

I am an not even remotely aware of the contemporary opera world. Until handed this disc, I was unaware of either 26 Russian-born soprano Anna Netrebko or 35 year old Mexican tenor Rolando Villazón. The foxy-looking Ms. Netrebko has been called “Audrey Hepburn with a voice,” while Mr. Villazón has not.

Talk about throwing it back to the 1980s! These guys channel Manifestoera Roxy, Brit/Industrial (Joy Division) and even Haircut 100 on their latest double LP set (CD included for easy iTunes/iPod loading).

While hard-bop tenor saxophonist Booker Ervin’s best known work was with Charles Mingus and his later Prestige albums are regarded as the hub of his solo recordings, this 1961 Candid set offers plenty of muscular grit, superb Nola Penthouse sound and the stellar backing trio of George Tucker on bass, Al Harewood on drums and one “Felix Krull” on piano, most likely a Nat Hentoff-assigned name given to Horace Parlan who was contracted to Blue Note at the time. In fact, Tucker and Harewood were part of Parlan’s quartet, as was Ervin for a spell.