Last night's Beatles in MONO listening session at Electric Lady Studios played to an overflow crowd of fans, young and old, male and female. The event and the one Wednesday night September 10th at the Grammy Museum in Los Angeles, both sponsored by UMe feature Beatles engineer Ken Scott, reissue mastering supervisor Steve Berkowitz in a panel discussion moderated by Sound & Vision music editor Mike Mettler.
While the 108 page book included in the The Beatles in MONO box set can't compare with the more sumptuous 252 page one included with the stereo box set, it is a fun read and more a fun look. It's filled with great pictures and especially advertisements, press reviews and tape box and internal notes images.
Particularly interesting are Harry T. Moss's cutting notes for some releases. I wish they'd have shown them all but that's probably something only geeks would wish to see (in other words count us all in).
Lovers of original British vinyl had to hand it to Capitol: they collected the "B" sides and British EP tracks and packed them onto Beatle LPs of their invention, keeping the track total skimpy to help create even more LPs. One could buy the EPs to complete the collection but they were less convenient to play though the laminated picture sleeves added value.
Before leaving for a long planned mid-February 1968 trip to India to meet with Maharishi Mahesh Yogi (a/k/a “Sexy Sadie” but not back then) The Beatles began work on “Lady Madonna”, the gorgeous “Across the Universe” and the now somewhat obscure “The Inner Light”, which was chosen as the “Lady Madonna” “B” side but only because Lennon wasn’t happy with “Across the Universe” for reasons known only to him and not to anyone else because everyone else loved it.
What a mess. For all of his brilliance on Sgt. Pepper’s Lonely Hearts Club Band, Paul McCartney must take much of the blame for the ill-conceived for television movie “Magical Mystery Tour”. McCartney had thought of it while in America in April of 1967. The others agreed to it so they all share it to some degree. He wrote the title tune and recording began April 25th.
After a few month’s break during which the Beatles were apart they reconvened on November 24th 1966 to record “Strawberry Fields Forever” the first song for the as yet untitled new Beatles album. It was among the most complex and difficult to produce songs the group had yet attempted and it took months to complete and mix to everyone’ satisfaction.
Rubber Soul was released on Friday, December 3rd 1965 three short years after The Beatles first entered Abbey Road Studios and met George Martin. It was their fifth album and the final one engineered by Norman Smith who was promoted a few months after Rubber Soul’s release to EMI’s A&R (artist and repertoire) Dept.
Help! was released in August of 1965. The Beatles needed to produce another album for release well before Christmas. But they first were obliged to visit America at the end of the month to once again play The Hollywood Bowl.
After the unexpected sophistication of “A Hard Day’s Night”, the goofy follow up movie that probably served as The Monkees’ TV show template was disappointing. The 14 song Parlophone Help album was not.
"Product", "Filler", whatever you want to call it, the appropriately titled Beatles For Sale was a "have to meet the two album a year schedule" interim album due out for the 1964 Christmas season—a hodgepodge return to covers, George really asserting his country and western licks, John feeling his inner Bob Dylan, John and Paul channeling the Everly Brothers, Ringo given a real chance to stretch out in the percussion department and Paul rocking, rolling and screaming on reissue and breaking your heart on one of his achingly beautiful ballads.
Back in 1964 American buyers of the mono "A Hard Day's Night" Soundtrack album (United Artists UAL 3366) got a better deal than did the ones who bought the "stereo" version. While the latter's instrumentals were in true stereo the Beatles songs were mangled by UA engineers into versions that were electronically reprocessed for stereo.
Though the two originals have plenty of "mileage", they don't sound "chewed" and a great deal of high frequency energy remains in the grooves. Nonetheless, this new AAA reissue sounds tonally identical to the original.
On the afternoon of September 4th, 1962 The Beatles arrived at Abbey Road for their first official session. They rehearsed, had dinner, returned to the studio and recorded “How Do You Do it” chosen for them as their first single by George Martin.
The Beatles in Mono arrived today. This evening listening will begin but this afternoon analogplanet.com editor Michael Fremer opened the box and physically inspected.
A visit to Czech Republic-based GZ Media recently published on a website includes an un-captioned photo of a large stack of the upcoming Beatles Mono box sets. This has flooded analogplanet.com's "inbox" with emails from readers, some inquisitive, some hysterical and a few spewing expletives.