Album Reviews

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Michael Fremer  |  Nov 01, 2005  |  0 comments

Daniel Lanois begins this instrumental excursion with a great wash of flanged psychedelic backwash, ribbed with pedal steel guitar in an upward thrust of musical birth that oozes from the speakers like sonic Cool-Whip.

Michael Fremer  |  Jul 01, 2011  |  1 comments

It's easy to imagine a generation of young guitar students wearing out the grooves of this set of  "urban instrumental surf music."

Mark Smotroff  |  Sep 08, 2023  |  7 comments

Craft Recordings just served up the next pair of 180g 1LP offerings in their ongoing R.E.M. reissue series — namely, 180g 1LP editions of May 2001’s classic-sounding Reveal and March 2008’s power-pop punk slammer, Accelerate. Read Mark Smotroff’s combo review of Reveal and Accelerate to see if either or both LPs are worthy additions to your vinyl collection. . .

Michael Fremer  |  Mar 01, 2009  |  0 comments

Laura Nyro’s most personal, mature and intense album of love’s struggles proved to be the stopping point for many fans of the earlier gospel-y good time Nyro who sung “Stoned Soul Picnic,” “Eli’s Comin’,” “Wedding Bell Blues,” “Stoney End,” and even “And When I Die,” which was celebratory despite the song’s morbid title.

Michael Fremer  |  Nov 17, 2014  |  49 comments
The third Led Zeppelin album has its heavy moments but most often the pace is faster, the groove lighter and at times it's downright celebratory.

Michael Fremer  |  Jun 01, 2008  |  0 comments

Let the Blue Note reissue riot continue! Fans of the cool, bluesy, gospely Blue Note sound can’t help but feel blessed at the output, whether from Classic in mono or from Analogue Productions and Music Matters in stereo.

Michael Fremer  |  Mar 01, 2012  |  2 comments

First of all the back cover photo doesn't include Brian Wilson! What's that all about?

Michael Fremer  |  Nov 01, 2007  |  0 comments

The arranger Gil Evans was on a roll when this cool, yet raucous big band set of standards was recorded in New York City back in 1958. The California native and big band veteran had already arranged Miles Davis’ Miles Ahead and the cool and deep Porgy and Bess. Featured soloist Cannonball Adderley’s Blue Note classic Somethin’ Else had also hit big by then (okay, it was really a Miles Davis album, but Cannonball’s playing heated up Miles’s cool show).

Michael Fremer  |  Nov 01, 2005  |  1 comments

Sad but true: a generation of white Americans first came to know the blues—a black American art form—by hearing it played second-hand thanks to the dedication of die-hard British blues enthusiasts like Long John Baldry, John Mayall, Eric Clapton, and of course, Fleetwood Mac’s Peter Green. The list goes on.

Michael Fremer  |  Jun 01, 2010  |  0 comments

In the early �70�s, with the second great rock era in its death throws, the rock intelligensia hungered for something, anything that might reinvigorate the softening musical firmament.

Michael Fremer  |  Mar 01, 2010  |  0 comments

Was this the greatest rock and roll concert recording ever as some suggest? Is it deserving of deluxe box set status? The producers of this ultra-sumptuous box obviously thought so!

Michael Fremer  |  Dec 01, 2006  |  0 comments

Subtlety was not in Neil Young’s game plan when he sat down to write the tunes here, probably in a burst of creative energy born of frustration with the war in Iraq and other Bush administration activities over the past few years. Young’s moved quite a ways since his romance with the Reagan administration.

Michael McGill  |  Sep 01, 2005  |  1 comments

The Libertines, on their debut album Up the Bracket album (issued in the UK, October, 2002, and March, 2003 in America), deliver well-written punk-pop in a ragged-but-right style that teases with echoes of The Clash, The New York Dolls and Pavement. Avoiding the polar pitfalls of Green Day's predictability and Modest Mouse's endless demands on the listener's patience, they thread the skinny needle of superb garage rock, coming out the other side grinning, sweaty, and deserving of your buying them a Guinness.

Michael Fremer  |  Sep 17, 2020  |  4 comments
There’s no better time than now to release a live performance of Civil War era “lifeline” spirituals dedicated to Harriet Tubman, an escaped slave herself, who is best known as an “Underground Railroad” organizer personally responsible for smuggling to freedom hundreds of slaves, first to the North and then after the passage of the Fugitive Slave Act in 1850 that allowed the recapture of freed slaves in non-slave states, to Canada.

Michael Fremer  |  Feb 16, 2019  |  9 comments
The boomer generation is firmly out of cultural control and rock is pretty much dead—not in terms of interest but in the same way big band music is dead—though back in 1980 when this Linda Ronstadt concert was produced and recorded for an HBO special, boomer power peaked.

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