Album Reviews

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Malachi Lui  |  Nov 27, 2019  |  16 comments
Before I get further into this follow-up review, a short disclaimer: other than the US Apple/Capitol singles of “We Can Work It Out”/“Day Tripper” and “Hey Jude”/“Revolution” (which, as expected, sound lousy), I don’t have any Beatles 7” singles other than this new The Singles Collection box. All my Beatles listening is on LP (the 2014 mono series, the Giles Martin remix LPs, and a few mono and stereo UK and European pressings) and the occasional lossless digital format, therefore from these recordings I’m used to great sound quality. My expectations for The Singles Collection (generously gifted to me by AnalogPlanet editor Michael Fremer) were likely different from most others’: sure, I expected the all-analog lacquer cuts to sound good, but sound quality on 7” singles isn’t the first thing I think about. With the 7” format, it’s primarily about the musical content, collectibility, packaging (when applicable), and finally, sound quality.

Michael Fremer  |  Jul 30, 2015  |  24 comments
Perhaps it's because "Dino" cultivated a less than serious image as a friendly drunk or perhaps it's because of his long running role as Jerry Lewis's "straight man" in the most successful duo in comedy history, or maybe it was his long running "Dean Martin Celebrity Roast" television show.

Mark Smotroff  |  Mar 15, 2024  |  5 comments

In the circles of soul music fans, Isaac Hayes’ seminal June 1969 LP Hot Buttered Soul is well-known as a landmark recording, an album that helped break down conventions of what a hit soul recording could be. This four-song album originally went gold on the Enterprise label, but Craft Recordings just may have taken Hot Buttered Soul to new aural heights with their recently released AAA Small Batch 180g 1LP edition. Read Mark Smotroff’s review to see if the Small Batch version of this seminal soul LP belongs in your collection, STAT. . .

Michael Fremer  |  Sep 01, 2003  |  0 comments

The Beatles made four unforgettable live appearances on The Ed Sullivan Show, February 9, 16, 23rd 1964, and one more, over a year and a half later on September 12, 1965. While the fourth was almost anti-climactic, the first three rightly retain a mythological status, with an amazing 73 million Americans tuning in for The Beatles’s first appearance. In those pre-VCR, pre-400 cable channels days, The Beatles literally appeared out of nowhere, drove the teenagers in the audience crazy, and then disappeared, leaving the kids gasping for air and wondering whether they’d actually seen their idols, or hallucinated them. There would be no taped playback at home, or excerpts on “Entertainment Weekly.” The Beatles didn’t make “the rounds” and visit other shows, because there really weren’t any. Some still shots in Life or in some teenybopper magazine were the best that could be hoped for.

Michael Fremer  |  Aug 01, 2009  |  0 comments

The mid-sixties may not have been Monk’s most creative period but it was arguably his strongest and most focused both in the studio and onstage. If any jazz musician was poised to withstand the rock era it was Monk the performer and Monk the composer.

Michael Fremer  |  Jul 01, 2011  |  1 comments

The late New York Times rock critic Robert Palmer once wrote a Billy Joel review that was so scathing, so mean, so nasty and couched in personal terms, that even I, a fellow Billy Joel detractor (perhaps even a "hater" back then), cringed with embarrassment.

Michael Fremer  |  Aug 23, 2019  |  21 comments
Memphis based "garage rocker" Jack (Yarber) Oblivian, formerly with Johnny Vomit & the Dry Heaves among other groups, recently released this adrenalin charge on Black&Wyatt Records and someone (I don't know who) sent it my way thinking I might like it even though the sound is, let's say "primitive" (no top, not much bottom, just some stuff in the middle) in a good way (some recorded to 4 track M.C.I.) but all of it purposefully squashed in a way that sort of reminded me of Don Van Vliet ("Sweet Thang"), but maybe that's because in some ways the performances did too, though it's far more punk-rocky and less bluesy.

Michael Fremer  |  Sep 13, 2015  |  0 comments
When I interviewed singer/songwriter Jack Tempchin recently I joked about why older songwriters often lose their creativity.

Malachi Lui  |  Aug 02, 2018  |  16 comments
“Rock is dead. No modern rock artist can have a number one album. Anybody who makes something this weird can't make the Billboard 200 at all, right?”

But to the words of cynics, Jack White says “I don't care” and spreads his statement across a 44 minute album that blends roof-shattering rock, blues, electronic, hip hop, country, spoken interludes, and even jazz. “The one who is prepared is never surprised”, I guess.

Michael Fremer  |  Jun 01, 2008  |  0 comments

Joe Jackson is like one of those balloon magicians, only instead of producing elaborate figures from a simple form, he does it with notes.

Nathan Zeller  |  Dec 26, 2020  |  0 comments
It’s certainly no secret that Jacob Collier is an outrageously talented musician; after all, when family pastimes involve singing Bach chorales… what else was to be expected?

From his days as a Youtube sensation until now, Collier has been labelled as many things, most of which are positive. That statement of course leaves room for the negative. Despite making leaps and bounds as a producer and performer (check out the logic session breakdown for “All I Need”), there remains a fair few who long to see him fulfill his potential as a writer. After hearing Collier’s latest release, Djesse Vol. 3, I must say I share those same feelings.

Nathan Zeller  |  Feb 16, 2021  |  13 comments
(Ed note: This is the first voice memo review on AnalogPlanet) Jacob Collier rightfully displays a childlike fascination with music. It would be a mistake, though, to confuse his youthful exuberance with mediocrity. The 26 year old, who released his first album five years ago, gets praise from music business legends. Herbie Hancock is in awe of Collier’s performance and production abilities. Quincy Jones, recognizing the multi-instrumentalist’s potential, signed Collier to his personal management division.

Michael Fremer  |  Feb 01, 2008  |  1 comments

A young James Taylor arrived on the crowded late ‘60’s musical scene a mature, fully formed artist. His voice was unique, rich-sounding and immediately identifiable, as was his acoustic guitar playing. His songwriting was accomplished both lyrically and melodically well beyond his 20 years.

Ty Webb  |  Sep 28, 2020  |  2 comments
In this, the 250th anniversary of Ludwig van Beethoven’s birthday, Yarlung Records offers a recording worthy of the master, a delectation from the Janaki String Trio that was originally recorded in 2006 in Zipper Hall. The sonics are as inviting as the playing.

Evan Toth  |  Jun 03, 2020  |  11 comments
Jason Isbell might just be a genuine modern country legend in the making. After his early years (2001-2007) with the alternative country-rock band, Drive-By Truckers Isbell went solo, releasing several critically acclaimed albums: some under his own name and others with the support of his backing band, the 400 Unit. Isbell quit drugs and alcohol in 2012 and subsequently married his second wife: songwriter, backup singer and fiddle player, Amanda Shires. They had their first child in 2015. Most recently, Isbell worked with John Prine on his final album, The Tree of Forgiveness and following Prine's death in April of 2020 penned in The New York Times a moving and intimate opinion piece

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