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Tracking Angle contributors  |  Sep 30, 2005  |  0 comments

Henry James, in another of his sour moods, once characterized then-President Theodore Roosevelt as "the mere monstrous embodiment of unprecedented and resounding noise." Thankfully, the Master died before hearing Cheap Trick. We think we know this record, and the Trick, too. A generation of rockers have dined out on the chops served up on the original (and brutally truncated) 1979 Epic release. The party crowd (i.e., all of us) has shaken sufficient booty, tail, and keister to make it one of the essential rock albums. And why not? The noise quotient is high enough for blare-oriented ideologues and the giddy fun intrinsic to the band's power-pop attack gets everybody else. The Tricksters make damned sure of that.

Various writers  |  Sep 30, 2005  |  0 comments

It's 1970. Brian Jones is gone, The Beatles are on their way out, and The Stones have just reached their first peak, after an interesting pop-psychedelic period and a fine roots-country album, 1969's dark, powerful Let It Bleed. Keith Richards handled almost all the guitar on that one, and masterfully too, but he prefers the give-and-take of working with a partner, and on this set he is: trading licks with Mick Taylor, who toured with The Stones throughout the year. The result is this stunning document.

various  |  Sep 30, 2005  |  0 comments

BOB MARLEY AND THE WAILERS
Live!
Produced by Steve Smith and Chris Blackwell
Engineered by Steve Smith
Mixed by Phill Brown
Island/Tuff Gong ILPS 9376 (LP), 422-846 203-2 (CD)

Music:11
Sound:8

Before Bob Marley cut Live! at the Lyceum in London, Marley's producer Chris Blackwell remembers how the fanaticism surrounding the singer was escalating. “At his shows he was doing 'No Woman, No Cry' and the audiences were singing so enthusiastically. I thought, 'Boy, I've got to record this live', because it sounded so incredible.”

Tracking Angle contributors  |  Sep 30, 2005  |  0 comments

THE GRATEFUL DEAD
Live Dead
Produced by The Grateful Dead, Bob Matthews, and Betty Cantor
Engineered by Bob Matthews, Betty Cantor, Owsley, and Ron Wickersham
Warner Bros. 1830 (2 LPs)

Music:11
Sound:11

So many musical icons have bitten the bullet this decade, so friends have asked me why Jerry Garcia's death bothered me more than the demise of Frank Zappa, John Cage, or Sun Ra. Are they less significant? Not in the least. The analysis is simple: Frank Zappa is best remembered for his recorded legacy - and he had enough warning (unfortunately) of his demise that he properly documented and established distribution arrangements for his collected recordings, including unreleased material.

Tracking Angle contributors  |  Sep 30, 2005  |  0 comments

ERIC DOLPHY
Live at the Five Spot Vols. 1 & 2; Memorial Album
Original Recordings Produced by Esmond Edwards
Engineered by Rudy Van Gelder
Reissue produced by Eric Miller
Digital transfers and editing by Dave Luke
Original Jazz Classics OJC 133, OJC 247, OJC 353 (CD)

Music: 10
Sound: 8

Michael Fremer  |  Jul 31, 2005  |  0 comments

Site mascot Eno, celebrated his 11th birthday today, July 18th, 2005—a major milestone for a Bernese Mountain Dog.

This breed has an average lifespan of around 8 years due to size (big dogs have shorter lifespans in general) as well as a variety of health issues includng cancer.

Roger Hahn  |  Dec 31, 2005  |  0 comments

This story, posted last fall, wondered about the fate of our Tracking Angle New Orleans correspondent Roger Hahn. Mid way through January, Hahn found us through a friend who\'d done an internet search on his name and came upon this piece, originally published in the Summer of 1998. Hahn will once again contribute, this time online at musicangle.com.

Michael Fremer  |  Nov 30, 2009  |  0 comments
Ed. note: In light of Bob Dylan's recent Rolling Stone interview in which he championed vinyl and complained both about CDs and modern recorded sound, we thought it appropriate to bring this to the home page yet again:

Back in 1994, ten years into the "digital revolution," the editor of Tower Records's "Pulse" magazine, bravely commissioned me to write an article expressing my feelings about digital sound, ten years after the introduction of the compact disc. It was published in "Pulse!" much to my delight. I thought you might find it interesting in 2005--MF

Michael Fremer  |  Jan 01, 2006  |  0 comments

This is part of an interview I conducted with the great recording engineer Bill Porter back in 1987. I met up with Porter at Denver audio dealer Listen Up! We chatted and listened to some of his recordings. The remainder of the interview will be posted at a later date, along with listening session notes.

In part I of my interview with legendary Nashville engineer, Bill Porter, I wrote, “In one month of 1960, Porter-engineered recordings accounted for 15 of Billboard's Top 100 Singles.” That was a mistake. In fact, Porter had 15 charted singles in one week.

Michael Fremer  |  Dec 31, 2006  |  0 comments

(This piece, originally written in 1988, runs with a few updates)

Maddy Matlock and the Paducah Patrol, Warren Barker, The Vestry Choir, Raoul Meynard and Orchestra, Clint Walker and the Sunflower Serenaders, Gus Farney at the Giant Wurlitzer- these are just a few of the exciting musical acts that helped Warner Brothers Records lose a whopping $3 million a year between 1958 and 1962- its first four years in existence.

Not a great start. In fact the parent company, Warner Brothers films almost shut the doors, but didn’t, according to Fredrick Dannen in his excellent and often hilarious book “Hit Men,” out of fear that it wouldn’t collect money owed by slow paying independent record distributors.

Michael Fremer  |  Dec 31, 2006  |  0 comments

The Labels

The original Warner Brothers label was gold colored with “Vitaphonic Long Play” on the bottom, separated by “Stereo” in red letters, boxed in black. In small red letter above that it reads “Warning:reproduce only with stereophonic cartridge and stylus. Pressure not to exceed 6 grams” (mono releases were originally gold as well, but were later changed to grey). This label continued into the mid-sixties. Original pressings of records like 1962’s Peter Paul and Mary (WS 1449) feature that label, as does Peter Paul and Mary’s Moving album (WS 1473) from 1963.
Promo copies were black and white

Dan Schwartz  |  Jan 31, 2006  |  0 comments

Sundazed's recent mono After Bathing at Baxter's reissue, reviewed here (www.musicangle.com/album.php?id=381) prompted bassist Dan Schwartz to send this remembrance —ed.

There has never been a great rock band without a great drummer. Ringo took a drubbing from clever pundits and know-nothings as if he was not in the league of the other Beatles. But Ringo, "the greatest," changed the world in a most crucial moment in modern history with his sheer explosive and contagious joy in playing.

Michael Fremer  |  Nov 30, 2009  |  0 comments

An anxiety-reducing DVD that takes the mystery out of vinyl playback

Michael Fremer  |  Sep 30, 2006  |  0 comments
Making a miserable day even worse, today, September 11th, was the day we put our beloved dog Eno, and this site's mascot to sleep.

In the context of the sorrow and suffering of those who lost loved ones on this day five years ago, the loss of a pet dog is rendered insignificant but it was our dog and our loss and we feel it deeply.

Michael Fremer  |  Jun 30, 2007  |  0 comments

The shadow story of the tragic life of the sad-eyed, impossibly pretty Gram Parsons is fairly well known, at least among fans of The Byrds, The Flying Burrito Brothers and Parsons’ ill-fated solo career.

Parsons (original name: Ingram Cecil Connor III) was an enigma: a Southern born trust fund baby, Harvard drop-out and emotionally troubled musician who, though plagued by alcohol and drug abuse, (or perhaps in part because of it), produced some of the most haunting and enduring music of his era, while forging a new musical paradigm combining folk, country, rock, soul and “glam.” Though he influenced generations of musicians who followed, he never sold that many records.

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