Follow me on Twitter. Just signed up (succumbed is more like it) so it will take a while to get up to speed but now when I visit a used record store of something interesting happens in the vinyl world (or whatever else) you'll be the first to know!
Originally issued as LDS6065 on RCA Soria, this legendary DECCA UK Kingsway Hall recording is easily one of the finest orchestral recordings of the golden age or any age. (Note: image is of an original pressing)
When Per Madsen decided to retire a few years ago, thousands of record collectors wished him well but with great sadness. One of the sturdiest, most attractive and convenient record storage systems would no longer be manufactured.
(Photo by Randy Wells) I've been on the road just about the entire month of October. First at Rocky Mountain Audio Festival and this past weekend I M.C.'d at Chad Kassem's 15th Annual Blues at The Crossroads Blues Festival held at his Blue Heaven Studios, a converted church. It was a blast and of course I again got to tour the pressing plant.
(Photo of me [wearing TRON crew jacket] talking to the Chinese Theater audience courtesy MouseInfo).
Power is back, heat and hot water are back, Internet it back. Life returns to normal. I actually got to listen to music on my system last night for the first time in more than a week.
My apologies to Gavin Lurrsen, who did respond immediately to my email via email. Unfortunately his email got trapped in the overaggressive corporate spam filter.
Reader Tony Crocker emailed me with the URL for his YouTube record cleaning video. Crocker bases it in part on the one written for The Tracking Angle by Michael Wayne some years ago that you can access on this site.
I was invited to speak at last week's Los Angeles and Orange County Audiophile Society Annual Awards Banquet. I spoke there two years ago and did some audio stand up comedy so this time i figured I'd do something else: sing.
Rhino recently reissued Love's essential Forever Changes album in conjunction with last November 23rd's "Record Store Day." The album was cut by Chris Bellman at Bernie Grundman Mastering and pressed at RTI.