Modern Jazz Quartet fans will find this Milt Jackson solo outing surprising and in a sense liberating. While the vibraharpist remains his usual cool, resilient self, the addition of Kenny Dorham on trumpet and Jimmy Heath (brother of MJQ bassist Percy) on tenor sax gives the outing a bit more swagger and drive compared to the MJQ’s usual studiousness.
I’ll throw my two cents into the “greatest rock vocalists” ring: Steve Marriott. He’s the one for me. His work with the original Small Faces stands above all else, but later Marriott joined Peter Frampton and the two formed Humble Pie with bassist Greg Ridley and drummer Jerry Shirley.
Drop John Lee Hooker off in the parched environs of Paris, Texas and tell him to do his mournful thing and that it’ll be okay because Miles Davis will be right behind him with his mute trumpet following his every musical move the way Ali Akbar Khan followed Ravi Shankar's.
Former Image Hi-Fi magazine editor Dirk Sommer and his wife Birgit Hammer-Sommer recorded and produced this solo double bass performance by Dieter Ilg using a purist analog chain direct to ¼” analog audio tape. Compression was neither contemplated nor used, nor was there any filtering or equalization of any kind.
This slab of red vinyl got plopped on the turntable and listened to before the unnoticed press blurb stuffed into the gatefold jacket made returning it from where it came impossible.
Note: since this review was originally posted February of 2009, we have learned of the existence of a flat transfer made from the now missing master tape. The version reviewed here was almost certainly mastered from a digital transfer done using some analog "work parts" and some digital sources not clearly identified in Capitol's original CD reissue series.
The indie rocker Sufjan Stevens brings a surprising and delightful buoyancy and sense of wonderment to his orchestral suite commissioned by the Brooklyn Academy of Music to celebrate the 25th anniversary of its “Next Wave” Music Festival. The original debut performances were in November of 2007.
Icy cold vistas, shards of broken electronic glass, relentless thumping disco beats and possible mysteriously encrypted bits of dialogue may not sound like something that would be particularly inviting on a full range audio system, but somehow Fuck Buttons makes it so on this album of artificial mayhem and just plain noise.
The first Blood, Sweat and Tears group led by Al Kooper and including his former Blues Project bandmate Steve Katz, was the sophisticated assemblage that produced but one album. This one.
Was this the greatest rock and roll concert recording ever as some suggest? Is it deserving of deluxe box set status? The producers of this ultra-sumptuous box obviously thought so!
Far from the sad, wobbly finale you might be expecting, these last to be released Johnny Cash recordings are uplifting, inspirational and resolutely purposeful thanks to both Cash’s searing artistry and the sensitivity of the A&R work.