Was this the greatest rock and roll concert recording ever as some suggest? Is it deserving of deluxe box set status? The producers of this ultra-sumptuous box obviously thought so!
Far from the sad, wobbly finale you might be expecting, these last to be released Johnny Cash recordings are uplifting, inspirational and resolutely purposeful thanks to both Cash’s searing artistry and the sensitivity of the A&R work.
Analogue Productions' The Nat King Cole Story box set, originally scheduled to be released Spring of 2010 is finally here. We reviewed the box's sound quality last March based on test pressings but the actual box didn't arrive under early 2011. What's below is that review with additional information about the box and overall presentation quality—Ed.
The Blue Note reissue explosion continues with these attractively packaged XRCD24s from Audio Wave. We’ve got two current purveyors of Blue Notes: Music Matters and Analogue Productions, each having gained access to different catalog titles.
The first two sides of this double record set spotlight Hooker, his incendiary, coiled-snake stinging guitar, his foot stomping, mutable time-keeping and his chant-like, mournful singing all recorded intimately. Canned Heat co-founder Al Wilson contributes harmonica and piano on some of the tunes that are otherwise all Hooker.
The Bay area based Blue Cheer issued this raw blues-psych record that runs a little more than a half an hour on the Philips label back in January of 1968.
I once pissed next to Dave Mason in the Cambridge Boathouse bathroom back in 1970 something. That has nothing to do with this review except that it’s a review of a Traffic album and Dave Mason was in Traffic but you wouldn’t know that from the cover of their first American album.
Freddie Hubbard’s group leading debut may not have been his finest album but it was a great one and an auspicious debut for the then 22 year old who would go on to play on some of the greatest jazz albums ever, some of which he fronted.
If you want to know what the early 1960’s felt like, listen to this lushly and dramatically orchestrated Sinatra, bathed in opulent, moonlit reverb and surrounded by cushiony strings spread out on an impossibly huge, wide and deep soundstage.
Back in the 1940s the legendary concert promoter, record producer and record company head Norman Granz conceived of jazz performances in a classical music style concert setting.
Fats Waller had been gone twelve years when Louis Armstrong and his All-Stars recorded this tribute album in 1955. Sadly, the notorious overeater died at 39 of a heart attack.
These loose, swinging 50+ year old sessions recorded in the summer of 1958 and winter of 1959 and sounding incredibly life-like tonally, offer Duke Ellington and Billy Strayhorn on piano fronting small combos of legendary horn players, some not normally associated with Ellington, Joe Jones on drums and a few added musicians to spice up the mix.