Album Reviews

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Michael Fremer  |  Jan 01, 2011  |  1 comments

This 1973 release, minus saxophonist Phil Shulman who had left the group (leaving but two Shulmans),  was rejected by Columbia Records for being "un-commercial" yet it became one of the band's most popular releases. It was available only as an import in America.

Michael Fremer  |  Apr 01, 2011  |  0 comments

Little Feat was never an "album" band, even though they released many good records. They were low concept and high boogie. The groove was cerebral though, not the mindless "good time" endless fist pump variety mainly because of the playful and smart Lowell George. Lowell was from Baltimore,MD.

Michael Fremer  |  Apr 01, 2012  |  3 comments

Long considered one of the great recordings of the early stereo era, España was originally issued in the UK on the British Decca label (SXL 2020) and on American subsidiary London (CS6006).

Michael Fremer  |  Oct 01, 2010  |  1 comments

Well this is embarrassing: I've played often and enjoyed this excellent sounding reissue featuring L.A. based anglophile singer/songwriter Emitt Rhodes in preparation for this write-up but the record has gotten lost here somewhere.

Michael Fremer  |  Jul 01, 2011  |  1 comments

The music made by the Australian group Dead Can Dance during their seventeen year existence resembled soundtracks to imaginary movies. The core duo of Brendan Perry and Lisa Gerrard, who were also an item at the time, moved to the U.K. a year after the group's founding in 1981. They issued their first album on 4AD in 1984. 

Michael Fremer  |  Jul 01, 2011  |  0 comments

The iconoclastic singer Harry Nilsson lived hard and mostly sang softly. His Los Angeles debauchery with his pal John Lennon and the resulting outcast behavior including being tossed with Lennon from The Troubadour for heckling The Smothers Brothers is well known, as are many of the songs he wrote, including "One" covered by  Three Dog Night and "Cuddly Toy" covered by The Monkees.

Michael Fremer  |  Oct 01, 2010  |  0 comments

Recorded in glorious mono in 1956 and issued first in 1957, this set of small combo standards with Cole both singing and playing the piano remains as fresh and vital as it did when originally released. 

Michael Fremer  |  Oct 01, 2010  |  0 comments

In an indie-rock era saturated with smirky, slacker irony, the roots-rocker Ray La Montagne comes across as downright solemn. He and his group execute cleanly and almost reverentially, funk, blues, jazz and country, which La Montagne sings in a honey coated gruff voice that veers between Joe Cocker and Tim Hardin. The man is sincere and like Tim Hardin, he knows how to move three chord rounds. 

Michael Fremer  |  Oct 01, 2010  |  0 comments

Trumpeter Kenny Dorham brought Joe Henderson to Blue Note and on the late tenor saxophonist's second lead album gives him strong support as the two chase each other through some zig-zag bop thickets. "Teeter Totter," the fast-paced Henderson-penned opener alone is worth the price of admission but the other tracks simmer with equal intensity.

Michael Fremer  |  Oct 01, 2010  |  0 comments

You could argue the advisability of naming a sophomore effort Everybody Digs Bill Evans but today it’s clear that everybody in fact does, or still does depending on your feelings about that second album’s title.

Michael Fremer  |  Oct 01, 2010  |  0 comments

What possessed Amanda Palmer to cover Radiohead playing her "magic ukelele"? Who knows? Did this inspire Eddie Vedder to issue a ukelele-based record? What would Arthur Godfrey think of all of this (look him up if you're too young to know who he is)?

Michael Fremer  |  Oct 01, 2010  |  1 comments

Henry Saint Clair Fredericks A/K/A Taj Mahal grew up in Harlem, spent time as a teenager on a Massachusetts dairy farm, attended U of M, gigged around and finally headed west and built a musical career first in Los Angeles and later in the Bay area. The life influences come through in his music: a mix of urban and country blues mixed with world music.

Michael Fremer  |  Oct 01, 2010  |  1 comments

 Jenny Lewis and Johnathan Rice were a couple when they made this REM indebted pop/rock album a few years ago. For all I know they are still a couple. I sure hope so because they make exquisite folk/rock music together, with both sharing guitar and bass playing.

Michael Fremer  |  Oct 01, 2010  |  0 comments

This is a vinyl reissue of lo-fi home recording genius and underground hero Ariel Pink. These sometimes tuneful lo-fi experiments from a decade ago are interesting and probably very influential but there's no real reason to have them on double 180 gram vinyl given the lo-tech origins of the material.

Michael Fremer  |  Sep 01, 2011  |  0 comments

Well after this SACD review had been posted, the double 180g LP arrived. It takes the sound up a significant number of notches, producing greater imaging and staging three dimensionality. The hall reflection is more distinct, King's voice projects further forward and the sometimes rough vocal textures are enhanced in a way that makes it sound more "live.". The string section sounds richer and fuller when it's added and the "you are there" sensation is greatly enhanced overall. If you've not picked this up on SACD, I'd say it's worth spending the extra to get it on LP. A great sounding time capsule for sure!

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