Album Reviews

“If there’s one thing that ties the two EPs together, it’s that all the songs are about moving,” wrote Brooklyn-based indie rock band The Dig in a recent press statement. Over the course of their move from Brooklyn to Los Angeles, they wrote and recorded the songs that would make up two new EPs, Moonlight Baby and Afternoon With Caroline. After dropping tracks from these releases throughout the year, the latter has finally been released in full and both EPs have been paired for a new vinyl release courtesy of Roll Call Records.

If you do a "Gene Clark" search on this website you'll find plenty to read and to listen to—including an AnalogPlanet Radio show dedicated to the late musician and former member of The Byrds. Please also read here the many record, book and documentary reviews covering Gene Clark's life and recorded output.

“Why another Axis: Bold As Love?” That’s what I asked myself before buying this SACD. After all, mono and stereo AAA LPs have been in print for several years, and were obviously made for audiophiles. For digital listeners, the most recent CD edition mastered by the late George Marino at Sterling Sound isn’t bad. How much better can this album sound?

Over the past 70 years, the world has been treated to Christmas songs recorded by Bing Crosby, the Vince Guaraldi Trio, Nat “King” Cole, and many others. These classics evoke the wonderful feelings of the holiday season among listeners of all ages. Happy Xmas is Eric Clapton’s attempt to create his own seasonal classic. With a “slight blues tinge” to holiday favorites, he falls painfully short with an amazingly boring, emotionless, and by-the-numbers album.

Billed as “The Expanded 1963 New York Studio Sessions”, Resonance Records’ Black Friday offering Eric Dolphy Musical Prophet is anything but one of those RSD repackaged assemblages of cast off secondary material meant for fanatical completists. The phrase “connective tissue” kept running through my head as I listened to the 3 LPs and read “mouth agape” the vital annotation that threaded together the confused recorded history.

On August 11 of last year, I had the amazing opportunity to meet Jack White and his band at their Portland, Oregon concert after the publication of my Boarding House Reach review. White read my review, loved it, and through his tour manager and a few other connections, invited my family backstage. We got to stand right behind the sound engineers and lighting controllers, and I even got to view the show from the side of the stage next to White’s guitar technician. Needless to say, I’m a fan; we purchased concert tickets prior to his invitation (and in February 2016, we even made the trek from New Jersey to his Third Man Records headquarters in Nashville).