"Product", "Filler", whatever you want to call it, the appropriately titled Beatles For Sale was a "have to meet the two album a year schedule" interim album due out for the 1964 Christmas season—a hodgepodge return to covers, George really asserting his country and western licks, John feeling his inner Bob Dylan, John and Paul channeling the Everly Brothers, Ringo given a real chance to stretch out in the percussion department and Paul rocking, rolling and screaming on reissue and breaking your heart on one of his achingly beautiful ballads.
Back in 1964 American buyers of the mono "A Hard Day's Night" Soundtrack album (United Artists UAL 3366) got a better deal than did the ones who bought the "stereo" version. While the latter's instrumentals were in true stereo the Beatles songs were mangled by UA engineers into versions that were electronically reprocessed for stereo.
Though the two originals have plenty of "mileage", they don't sound "chewed" and a great deal of high frequency energy remains in the grooves. Nonetheless, this new AAA reissue sounds tonally identical to the original.
On the afternoon of September 4th, 1962 The Beatles arrived at Abbey Road for their first official session. They rehearsed, had dinner, returned to the studio and recorded “How Do You Do it” chosen for them as their first single by George Martin.
This year's Fest for Beatles Fans coincided with the 50th anniversary of their first appearance on The Ed Sullivan Show, February 9th, 1964. The "invasion" festivities began earlier of course, including one event held Thursday February 6th at the 92nd St. "Y". That one featured Peter Asher (of Peter and Gordon, who also signed James Taylor to Apple and went on to become a major producer/manager), performer Billy J. Kramer, Beatle secretary Frida Kelly and Vince Calandra. The event was hosted by British actor/comedian and Beatle fan Martin Lewis. Donovan was a no-show due to a friend's death.
Before leaving for a long planned mid-February 1968 trip to India to meet with Maharishi Mahesh Yogi (a/k/a “Sexy Sadie” but not back then) The Beatles began work on “Lady Madonna”, the gorgeous “Across the Universe” and the now somewhat obscure “The Inner Light”, which was chosen as the “Lady Madonna” “B” side but only because Lennon wasn’t happy with “Across the Universe” for reasons known only to him and not to anyone else because everyone else loved it.
Exhibitors at The Consumer Electronics Show in Las Vegas and at RMAF have been using reel to reel tape as source material. Some use Tape Project tapes, which we know are copies of copies of actual master tapes licensed by and supplied by the record labels. Yarlung is also doing this.
These BBC recordings from 1963 and 1964 make clear that The Beatles were, even at that early stage of their career, a skilled musical ensemble and that even then they were eager to cast off the teen-craze image created for them by Brian Epstein.
Woody Allen famously said "80% of success is showing up." 16 year old recording engineer/producer Ken Scott showed up at EMI Studios less than a week after writing a letter requesting a job interview. He "passed the audition" and was rewarded with a job in EMI's tape library.
While The Beatles' musical arc was ever upward, the group's cinematic efforts traveled in the opposite direction. "A Hard Day's Night" was the group's best film. Shooting in black and white was more of a financial than esthetic choice it worked perfectly to capture the staid post-war period the boys found themselves in growing up.
A woman walks into a butcher shop. She says "Can I see that chicken?" The butcher hands it to her. She smells it in front, she smells it in back, she smells it all over and then hands it back to the butcher saying "Mister, this chicken stinks!" The butcher replies "Lady, could you pass a test like that?"
Released in the U.K. November 22nd, 1963—the day John F. Kennedy was assassinated, many of the songs here weren't released in America until Capitol issued Meet The Beatles! in January of 1964 but a few bitter months after the assassination. America, particularly its youth needed an emotional pick me up and The Beatles provided it, though more on the Vee-Jay album than on this one.
Recorded live at Abbey Road in fewer than ten hours in February of 1963 at a cost of around £400 and issued on March 22 (my Beatles birthday present), Please Please Me captured all of the raw energy of The Beatles playing live at The Cavern Club, though on stage they didn't put the vocals in one P.A. speaker and the instruments in the other!