Well, here we go. More than 125 people have participated in the It’s Just Wire “blind test”, so thank you all. Certainly, we’ve dispelled the ridiculous notion that “wire is wire” and that all wire sounds the same. Which one might prefer is of course a personal preference. That we’d need blind A/B/X testing to “prove” that any sonic differences exist is absurd.
Indie records arrive more often than you might imagine from musicians giving vinyl a shot at reaching a new audience and possibly providing an additional revenue stream (though as most find out, it’s neither cheap nor easy). Unfortunately, vinyl doesn’t transform lackluster into exceptional music.
Spoon’s latest is an introspective affair that trades the group’s usual tuneful exuberance for something more contemplative. But don’t be aFreud! It’s got all of the group’s signature moves, from deep, behind the grooves beats to catchy melodies set against vast empty spaces punctuated by exclamatory soundscapes.
The Gruvy Awards are chosen by AnalogPlanet's editor, Michael Fremer, and go to products that are found to possess a combination of high build quality, exceptional sonics and in the case of less expensive gear, provide great value for the money.
Vinyl records awarded Gruvys are musically and sonically outstanding and also well mastered and pressed. We've sorted them into two categories: New Records, and Reissued Records.
While a Gruvy indicates a product or record deemed exceptional, products that haven't been so awarded should not necessarily be considered unworthy!
Here are two great, "reasonably" priced, superbly built cartridges that I've chosen to review together while giving you the opportunity to "hear" both!
By now Sean O’ Hagan must be tired of music critics writing about him having a Brian Wilson/Pet Sounds fixation (I just did it too), so on the latest High Llamas album O’Hagan de-emphasizes the Wilsonian percussion and electronica in favor of “acoustica.” The sense of floating, of well being, of whimsy that his other albums exude ensues though, and what he’s ended up with here is 21st Century chamber music that resembles Brian Wilson less and Van Dyke Parks more (one of the tunes offers “…a toast to V.D.P.").
This little hand held wonder designed by the folks at AMR for their joint venture with i-fi Micro, features MM/MC with up to 66dB of gain on the MC input with claimed 90dB S/N ratio, 8 dip switches each for MC resistance and MM capacitive load settings.
Got pets that shed? You probably have at least one of those pet hair removing rollers with the split replaceable sticky roller. Roll it over your clothing and it picks up the hair. When its covered with hair and/or lost its stickiness, you peel off a layer and throw it way, using the fresh layer underneath to continue hair-removal.
I've referenced this record in a few Stereophile equipment reviews but somehow neglected to give it the deserved full review. The adventurous pianist Jamie Saft steps back in time here to produce an album that on "Vessels", the opening original tune, should immediately remind you of the classic '60s Coltrane quartet, though I'm not suggesting the players are in any way trying to copy Coltrane, Tyner, Garrison and Jones.
Former N.Y.C. Deputy Mayor Edward Morrison's obituary appeared in today's New York Times. Morrison was instrumental in helping John Lennon remain in America at a time when Richard Nixon was trying to deport him. Lennon's anti-war political agitation bugged Nixon. The deportation was going to based on an old pot bust. Morrison intervened and helped Lennon to remain in America by having him declared a "valuable cultural asset to New York City".