Michael Fremer

The Concord catalog is filled with great sounding recordings made by top tier artists in the later phases of their careers. There's nothing wrong with that. It's to label founder and producer Carl E. Jefferson's credit that he had a jazz label vision and saw it through at a time when jazz was on the decline commercially.

“You are committing audio reviewer suicide” friends insisted when towards the end of 2018 I told them I was going to review some inexpensive Hearing Aids. Guess what? All of the comments under the review were positive and my reviewer creds are intact. Plus, my now 91 year old mother-in-law can now hear much better since I’d really bought them for her benefit.

Chris Darrow may not be a name familiar to you, nor might Kaleidoscope, the ‘60s psych/folk band on Epic of which he was part. That band passed me by back then. Maybe I didn’t like the cover art, or thought Epic wasn’t in the same solid A&R league as was Elektra for instance, so I didn’t want to chance it. I never heard them on the radio and Epic probably did a crappy job promoting them.

An elderly gentleman wearing a pair of high tech digital hearing aids accompanied his wife to a kennel club meeting at my home a few years ago. He had little interest in the dog doings upstairs so I invited him downstairs into my listening room. It allowed me to conduct an experiment of sorts. Did he like music? Yes. Had he ever heard or seen a big high performance audio rig? No, he hadn’t. Would he like to hear some music on it? Yes he would: jazz or classical. I obliged, curious to find out what exactly he heard listening through digital hearing aids to a high-resolution audio system. The look on his face told me he was hearing plenty.