A reader alerted me to "Feedbands"—a unique vinyl subscription service. You pay them $19.95 a month and each month Feedbands sends you a new 180g vinyl record of a new band or artist they really like
Cleveland, Ohio based Gotta Groove Records pressing plant just sent out an e-survey to its customer base and invite analogPlanet readers to toss in their $29.99 or two-cents. They've already received 2400 responses in a little over a day.
A “country” album from The Byrds? Back in 1968 when this album was released, “Country” was the enemy, the home of beer-swilling, drug-warrior, war in Vietnam supporting, long hair-hating rednecks.
This five song 45rpm EP compiled for Mobile Fidelity by Thompson from his archive of live recordings includes “From Galway to Graceland” and “1952 Vincent Black Lightning,” recorded in 1994, “Oops! I Did It Again” and “It Won’t Be Long” from 2003, and a 1985 edition of “Shoot Out The Lights.”
Larry “Ratso” Sloman’s annotation brings into sharp, entertaining focus this collection of vital Dylan outtakes, alternative takes, unreleased tracks and live performances from 1989’s Oh Mercy sessions through his most recent 2006 release Modern Times.
Recording direct-to-disk is difficult enough. The entire side has to be cut in one long take. Consider a big band vocal album like this, which has four songs per side. The orchestra and singer have to be ready as soon as the cutting stylus hits the lacquer and then they have to perform flawlessly on each track, pausing but a few seconds between songs.
So great were Aretha’s hit making abilities during the peak of her Atlantic era that a blockbuster like “Think,” which leads off this set, did not make it to 1971’s Aretha’s Greatest Hits (SD8295). The track from this set making to the hits album was “I Say A Little Prayer,” given a less introspective, more energetic reading than the Dionne Warwick original.
I once lived on the second floor of an old farmhouse with a springy floor. How it got in my pants, I'll never know! I had a VPI TNT turntable at the time, on a VPI stand that had been filled with leadshot and sand. It was heavy! But the stand still bounced and the 'table's suspension couldn't deal with it and so the stylus bounced around in the groove.
Someone on one of the Facebook turntable groups asked what "overhang" was. None of the answers that I read properly defined it, (though a few talked about the head shell slots being involved) and I've forbidden myself from ever again participating on any of those groups after being called a "liar and a bullshit artist" in response to one innocent comment I made and "an industry puppet" following another.