Every so often, when I get down (and I don't mean as in "get funky''), I wonder whether I'll run out of analog things to write about. After all, we're only a year from 2000, and this needle-in-the-groove invention is already more than 100 years old. What's left to say?
Or so I think when I get blue. But it doesn't last long, not with so many inspired correspondents writing and so many manufacturers creating new productseven though, as we all know, vinyl is dead.
I literally dropped everything when Rega's new Planar 25 turntable arrived a few weeks ago. I'd heard the 'table compared with the Planar 3 at designer Roy Gandy's house when I visited Rega last fallsee "Analog Corner" in the January '99 Stereophileand was anxious to audition it in my own system and tell you what I heard.
Mikey narrolwy escapes jury duty and heads for CES in Las Vegas. The year is 1999.
"Timing is everything."
Whoever came up with that gem had it right. The timing of the International Consumer Electronics Show, for instance: right after the Christmas/New Year holiday. I don't know anyone toiling in this industry who is actually eager to trudge off to Vegas a few days after two weeks of concentrated boozing, face-stuffing, and general holiday lethargy.
Sell my record collection? You'd have to hit me upside the head with a blunt instrument. That's pretty much what happened to Thomas Margellar Jr., whose collection went on the auction block recently.
The former Motor City DJ, known professionally as Tom Knight, had amassed a 50,000-piece collection of LPs, CDs, 45s, and assorted music-biz ephemera, all stored in his climate-controlled basement. One day two years ago he got into a fight with his wife. Unfortunately for the 47-year-old collector, his brother-in-law was on hand to intercede on his sister's behalf.
Margellar/Knight ended up dead with a crowbar to the head, and his wife and brother-in-law ended up in the klink. The collection ended up at NYC's William Doyle Galleries.
I've always wondered how long it would take before someone in the auction/collectible business got hip to record collecting. How many obits have you read of famous art collectors, stamp collectors, and book collectors? Plenty. How many of record collectors? None. Except for the fact that books have been around longer, there's not much difference between book collecting and record collecting. Yet until now, record collectors have gotten no respect.
I've been waiting for the right occasion to crack open a sealed-in-the-polyethylene-bag 1A pressing of The Byrds' Mr. Tambourine Man I'd bought a few years ago from a veteran Columbia Records publicist. Today was the day. Wiz reissue producer and Sundazed Records Prez Bob Irwin has just graced me with test lacquers of that album, which he'll release soon on 180gm vinyl, along with Turn! Turn! Turn!, Notorious Byrds Brothers, and Sweetheart of the Rodeowith others to follow (I hope).
These Irwin-produced sets were issued three years ago to great acclaim on Columbia/Legacy CD (with some cuts, like "Mr. Tambourine Man," mixed analog in stereo for the first time), with lots of great bonus tracks, photos, studio chatter, etc. The new LPs, mastered all-analog using Irwin's custom-rebuilt Ampex ATR-100 playback deck, will contain the remixes, plus one bonus track per side, fitted in without compression. The plan is to issue the LPs with gatefold jackets to allow the inclusion of never-before-seen photos from the original sessions and other cool stuff.
Funny thing about Consumer Electronics Showsconsumers aren't allowed to attend. That's what's great about Stereophile's annual HI-FI Show. The place is packed with real peopleexcited, paying customerseager to see and hear the latest in hi-fi and home-theater gear. At least, that's what one hopes for.
Some in the industry hesitated about showing in Chicago. As far as turnout was concerned, the city and surrounding 'burbs were unknown quantities; the grand but aged Palmer House Hilton, with its boxy rooms and ancient wiring, was potentially tricky; and the strong union presence meant that moving a parcel across the hall could prove lethal to an exhibitor's checkbook.
First, I am sad to report the murder of Ed Tobin, who I once referred to as the "Yoda" of record plating. Tobin, a veteran of more than 40 years of record manufacturing, was responsible for lacquer plating at Greg Lee Plating in Gardena, California, and oversaw the production of stampers for AudioQuest, Mobile Fidelity, Classic Records, Acoustic Sounds, Reference Recordings, DCC, and many, many other audiophile and non-audiophile labels. Arrested and charged with the crime was Tobin's stepson.
Second: VPI's "Easy Analog" turntable/built-in phono section combo, to be produced in conjunction with Clearaudio and Gold Aero, and mentioned in my Hi-Fi '95 Show report last August (p.82), turned out to be not so easy: the project has been scrapped. Also on the VPI front: the company has delayed plans to manufacture its new pickup arm with a variety of upgradeable options which would have priced it between $900 and $2300. Due to the high demand for the $2300 loaded version, that's all the company plans to produce for now. [See VPI's letter in this issue's "Manufacturers' Comment."Ed.]
Third: Owners of VPI TNT III turntables (which include the flywheel and outboard motor) who are using the Bright Star Big Rock TNT isolation base absolutely need to get Bright Star's new Mini Rock F base for the outboard motor. It replaces the VPI-supplied metal shelf and, as reported by Steven Stone in this issue's Follow-Up, results in almost complete motor isolation. The sonic improvements (ie, lower noise floor) are not subtle.
After I saw my MP3 e-mail exchange with the editor of the "Circuits" section of the New York Times in the February Stereophile, I began to think that publishing it hadn't been such a great idea. If the exchange had burned my bridge to the Times, publishing it in this column had probably NATO-bombed it.
But eventually I made peace with my decision and forgot about it. Mikey vs the Times was a dead issue no matter what I did or didn't do, and at least Stereophile subscribers got to read what happened. Some of you thought it made the Times look bad, some of you thought it made me look like a hothead.
So, after all that, after explaining to the "Circuits" editor that, whatever benefits MP3 offers, "CD-quality" sound isn't among them, guess what appeared on the front page of the "Circuits" section of Thursday, June 17? An article titled "The Beat Goes on Line, and Sometimes It's Legal," by David Kushner, the lead sentence of which read "If there is a 'Phantom Menace' of the Internet, it's MP3, the compression software that enables CD-quality music to be sent on line. Like the film, MP3 comes with a considerable amount of hyperbole, promise and, alas, science fiction."
A family came to pick up a puppy we'd bred. The 11-year-old son entered my listening room, and I asked him if there was something he'd like to hear. "Nirvana," he requested, so I got out the Mobile Fidelity LP of Nevermind. "I've never heard a record in my life," he said, as I slipped it on the Basis Debut, currently being reviewed. When "Smells Like Teen Spirit" ended, he turned to me: "You have a really great stereo! I've never heard half that stuff."