Michael Fremer

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Michael Fremer  |  Jun 01, 2008  |  0 comments

Speaking personally, I never much cared for this corny West Coast band, particularly this incarnation, featuring lead singer Tom Johnston’s high-pitched, quivering and bleating.

Michael Fremer  |  Jun 01, 2008  |  0 comments

Lou Donaldson playfully skids into a few bars of David Rose’s “Holiday For Strings” mid-solo during a cover of the Kelmar/Ruby standard “Three Little Words,” indulging himself in a bit of shtick popular back when jazz could be lighthearted, studious and physical. Sonny Rollins was and is a deft practitioner of the off-handed musical quote as are and were many of the other jazz greats of a bygone era. It’s rarely done today. Jazz is more serious and cerebral, unless it gets goofy as the drummer Matt Wilson sometimes can get.

Michael Fremer  |  Jun 01, 2008  |  0 comments

Recorded live on June, 28th at the 1974 Montreux Jazz Festival, this hot session features Wells and Guy backed by a last minute “pick-up” band consisting of ex-Rolling Stone bassist Bill Wyman, Otis Spann’s Muddy Waters band replacement Pinetop Perkins, ex-Manassas drummer Dallas Taylor, best known for peeking (or peaking) out the door on the back cover of Crosby Stills, Nash (on which he also played) and his brother Terry Taylor on rhythm guitar.

Michael Fremer  |  Jun 01, 2008  |  0 comments

From the NAIM archives comes this triple LP/double CD set, originally issued as two, long out of print, individual CDs, featuring Charlie Haden’s Quartet West, featuring Saxophonist Ernie Watts, pianist Alan Broadbent and the late, great drummer Billy Higgins on one session and the great, not late Paul Motian on the other.

Michael Fremer  |  Jun 01, 2008  |  0 comments

Joe Jackson is like one of those balloon magicians, only instead of producing elaborate figures from a simple form, he does it with notes.

Michael Fremer  |  Jun 01, 2008  |  0 comments

Let the Blue Note reissue riot continue! Fans of the cool, bluesy, gospely Blue Note sound can’t help but feel blessed at the output, whether from Classic in mono or from Analogue Productions and Music Matters in stereo.

Michael Fremer  |  Jul 01, 2010  |  0 comments

Whatever "it" is, Welsh born 23 year old Duffy has it. If you're old enough to remember and were a fan of Lulu's "To Sir With Love,"  you'll love Duffy's surprising debut, co-produced by Suede guitarist Bernard Butler, who's had an extensive solo and collaborative career since the breakup of that '90's band, the very busy Jimmy Hogarth, producer of Susan Vega's excellent Beauty and Crime reviewed elsewhere on this site as well as co-producer of James Blunt's unfairly reviled debut album, among many others and Steve Booker. 

Michael Fremer  |  Aug 01, 2008  |  1 comments

In the nervous, jumpy, wiry world of guitar-driven late ‘70’s-early ‘80’s post-rock intellectual punk, popularized by bands like Gang of Four, Buzzcocks, early XTC and (more broodingly) Wire, Mission of Burma was America’s premier practitioners. They probably accrued more legend than record sales, though.

Michael Fremer  |  Jul 01, 2009  |  0 comments

The Modern Jazz Quartet would never have been signed to Blue Note. The group’s Bach-influenced button-down counterpoint was a bad fit with Blue Note’s gospel and blues influenced soul-jazz.

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