Vinyl fans tend to be obsessive (no news here!). So when you properly install a new cartridge and after the initial break-in, there's a period of calm and satisfaction knowing the stylus is fresh, the sound is spectacular and your records will be well cared for.
“Strange Days” was the perfect album for its time. For music lovers at a time when records were the main means by which a generation communicated with its culture, the title, cover art, music and sound resonated with the meaning of the fall of 1967 (even though the album was recorded the previous spring at L.A.’s Sunset Sound).
Starting in 1954 the late veteran DJ William B. Williams hosted a long-running radio show on WNEW-AM called "Make Believe Ballroom" (a name, coincidentally, we also used at summer camp for kids who prematurely wore jock straps before they really had a need to).
"Installing a cartridge is like cooking in a wokyou want to have all of the ingredients in front of you and well organized before you heat up the oil." Photo by Jan van der Crabben (Wikimedia Commons)
Here's a great garage-sale find: a series of 7" 331/3rpm records sent by a drug company to doctors during the late '50s. Knowing that many doctors back then were classical-music aficionados, the company would put a licensed excerpt from labels like Vanguard and Westminster on one side, and on the other a medical lecture extolling the virtues of the drug it was pushing. My favorite: John Philip Sousa's "The Thunderer" paired with "The Treatment of Some Gastro-Intestinal Disturbances."
Flash! The record biz's savior has been announced, and you're reading it here first. According to some statistics, the prerecorded music industry saw sales drop a precipitous 30% last year (Footnote 1). Why? Well, there are many reasons why CD and cassette sales dropped and why vinyl was the only format to show an increase, but the industry, noting the trends, has decided what needs to be done to increase sales this year.
And the winning solution? "Bring back the cassette!" I kid you not. A group within the record industry has decided that emphasizing expensive CDs and downplaying inexpensive cassettes have driven away a large portion of the market who cannot afford CDs. So a newly formed organization called the Audio Cassette Coalition has been formed to "revitalize" the cassette market.
To paraphrase one of America's greatest living patriots: Extremism in the defense of vinyl is no sin. Okay, my hyperbole may have gotten the best of me when I wrote, in my March column, "The miracle there, of course, would be if the [Disc Doctor's CD cleaning] fluid could somehow make listening to CDs enjoyable''for which Robert Harley took me to task in his May "As We See It." According to Harley, this is "an extremist position that doesn't take into account the great strides CD sound has made in the last few years."
Well, when I wrote that CDs sounded awful, and that digital recording was a complete disaster back in 1984, "extremist" was one of the nicer things I was called by a bunch of money-hungry opportunists on whose checklists music came last. Why worry about sound and music when the new format meant there were new labels, magazines, and newsletters to start, new pressing plants to build, and a few million recordings to sell all over again? Only an "extremist" would swim against that tideespecially during the "go-go" '80s.
I remember, back then, reading a quote in Billboard from a very famous LA recording-studio owner endorsing Sony's newest digital multitrack recorder as being the best-sounding piece of audio gear he'd ever heard. It struck me as odd, as I'd never heard of a studio owner taking sides like thatespecially since there were so many brands of recorders in use back then, with most engineers having their own preferences. A few weeks later, that same studio owner was named the West Coast distributor of Sony digital recorders.
This is the third album from Brooklyn based Clare and the Reasons and its first to be issued on vinyl. Movie, the group's 2007 debut features Van Dyke Parks and Sufjan Stevens to give you an idea of what's going on here.
Call me crazy (and you wouldn't be the first!) but when I spend $25 or $50 on a 180 gram reissue, I want to know the source used and who did the cutting, plating and pressing. Don't you? But we don't get that vital information as often as we'd like, do we?
Larry Archibald presents Liza Austin with a K101-FM shopping-spree certificate at HI-FI '97. Ryan Seacrest makes an appearance. Photo by Natalie Brown-Baca.
I've been reading your column for about a year now and I've always thought you were full of shit!" an attendee cheerfully volunteered at the conclusion of the "Vinyl in the '90s" seminar I hosted at HI-FI '97. So it's that kind of gathering, I thought to myself, remembering how the hour had commenced with an audience member accusing panelist Steve Hoffman of messing with the master tape of Nat King Cole's Love is the Thing for DCC Compact Classics' superb-sounding vinyl and gold CD reissues.
"But at this Show I got to hear records for the first time," the young reader continued, "and you're right! Records do sound better than CDsmuch better! Now I have to get a turntable and start buying records! What should I buy?"
"Well, how much can you spend?," I asked.
"Cost is no object."
"Well then, call Andy Payor at Rockport Technologies and order yourself a Sirius III record player for $53,000."
"Cost is an object!" he shot back faster than you could say "second mortgage."
"Well then, you've got a hotel's worth of choices and a day and a half to make up your mind," I told him. "Check out the VPI TNT Mk.3, the Basis 2000 series, the Immedia RPM-2, the Oracle Delphi, and the others that are hereI can't tell you what to buy."