Album Reviews

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Michael Fremer  |  Jul 03, 2006  |  0 comments

True to the label’s intentions and name, Zane Musa is a muscular-toned, “straight ahead” alto sax bopper, accompanied on this superb sounding disc by like-minded Southern California jazz musicians on a set of well worn but always comfortable jazz standards.

Michael Fremer  |  Jul 01, 2006  |  0 comments

Whether covering Robert Johnson, Joni Mitchell, Hank Williams or The Monkees (Boyce and Hart), Cassandra Wilson’s sultry, commanding voice has always worked effectively set against spare, moody backdrops.

Michael Fremer  |  Jul 01, 2006  |  0 comments

Spirit’s 1971 release The 12 Dreams of Doctor Sardonicus (Epic E30267) may be the best Spirit album, and one of the finest albums of the psychedelic and post-psychedelic era, but this, the band’s debut, recorded in 1967, falls not far behind and holds up remarkably well for many reasons.

Michael Fremer  |  Jul 01, 2006  |  0 comments

Never mind that the tape has some occasional serious dropout, never mind that the legendary performance of the title track “One Down, One Up” commences mid way through the tune during a Jimmy Garrison bass solo, never mind that these performances are station dubs from live radio broadcasts, never mind Alan Grant’s radio announcements sprinkled throughout, and never mind that this treasure trove is probably not in the same league historically as the Thelonious Monk/John Coltrane Carnegie Hall concert unearthed at the National Archives and issued by Mosaic on vinyl recently (MQ1-231).

Michael Fremer  |  Jul 01, 2006  |  1 comments

At first, the lingering melodies and stick-to-the-synapses catch phrases don’t seem to reach out and grab you like they do on older Steely Dan albums, but the grooves are deeper and more elastic here than ever and Fagen’s arranging abilities remain crisp, inventive and instantly recognizable even if you don’t take time out to analyze what’s going on to make them seem so familiar.

Michael Fremer  |  Jul 01, 2006  |  0 comments

This most popular of Green Day albums, a swell kiss off to Bush and his rogue administration is now so old it’s grown whiskers, but it hasn’t lost any of its punch. In fact, cut to wax it intensifies into a category five musical and political hurricane.

Michael Fremer  |  Jul 01, 2006  |  0 comments

The Irish folk/pop singer Mary Black, a genuine superstar at home, has built a worldwide following on the strength of her mesmerizing, crystal clear voice and an uncanny ability to wring every drop of meaning from the lyrics she interprets.

Michael Fremer  |  Jun 01, 2006  |  0 comments

The latest Sigur Rós album is yet another soundtrack to an imaginary movie you’re asked to create in your own head. The swelling orchestral resolves mostly corral you into thinking goodness and heavenly inspiration with singer "Jonsi"’s high pitched child-like (and sometimes cat-like) vocals sung either in a language of his invention and on some tracks for the first time actual Icelandic, making it easier for your personal invention as you’ll have no idea what he singing about. Not that it matters. The group’s music wears its mostly uplifting emotional heart on its sleeves.

Michael Fremer  |  Jun 01, 2006  |  1 comments

Clearaudio couldn't have gone into the record business to provide software support for its line of turntables. There’s no shortage of new vinyl in 2006. Perhaps the album’s producer is a friend.

Mike McGill  |  May 02, 2006  |  0 comments

Well, is the uber-buzz justified? Fastest-selling debut album; Greatest band since the Beatles, number 287 in a series (collect ‘em all)?

Michael Fremer  |  May 02, 2006  |  1 comments

Yes, Clapton, Bruce and Baker have gotten older. Face it, they’ve gotten old as have those of us who’ve been Cream fans since they were called “The Cream” on the first album jacket. And face it, youth be served, they haven’t the raw power they once had.

Michael Fremer  |  May 01, 2006  |  0 comments

Will there ever be another jazz singer with the elegance, clarity, and emotional depth of the late Shirley Horn? I don’t think so. Horn put more into, and got more out of her pauses than many singers get of the notes they actually sing. Her piano playing was equally sophisticated yet economical. Everyone from Joni Mitchell to Diana Krall has been influenced by Shirley Horn.

Michael Fremer  |  May 01, 2006  |  0 comments


Apparently, the inclusion of the nostalgic Goffin/King song “Goin’ Back,” and the rejection of Crosby’s icky threesome song “Triad,” (which found its way onto The Jefferson Airplane’s superb Crown of Creation) caused him to split. The story goes that the horse on the cover represents Crosby, but if it's really a parting shot, why show the head instead of the tail?

Michael Fremer  |  May 01, 2006  |  0 comments

This five song 45rpm EP compiled for Mobile Fidelity by Thompson from his archive of live recordings includes “From Galway to Graceland” and “1952 Vincent Black Lightning,” recorded in 1994, “Oops! I Did It Again” and “It Won’t Be Long” from 2003, and a 1985 edition of “Shoot Out The Lights.”

Michael Fremer  |  May 01, 2006  |  0 comments

Only in retrospect do you realize how much The Guess Who’s sound drew from Creedence Clearwater Revival. That’s fine, because only in retrospect do you realize how much of what sounded new and unique when you were immersed in it, was really formulaic and sometimes trite.

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