Album Reviews

For some reason, audio enthusiasts have a need to latch onto female vocalists with a passion that borders on the fanatical. Once they find her, they never let go. The careers of Amanda McBroom, Jennifer Warnes, Diana Krall and Janis Ian have all benefited from this compulsive/obsessive behavior. I have nothing against it. I just find it fascinating.

These ten acoustic tunes cut by Buddy Guy on 6 and 12 string guitar, and Junior Wells on harmonica back in 1981 during a visit to Sysmo Studios in Paris, France states the case for the acoustic blues as well as any album I can think of, but if you’re not into the genre, don’t expect this reissue to pull you around. Well, take that back: the sound may drag you in.

As with William Shatner's infamous cover of “Lucy in the Sky With Diamonds,” Paul Anka's big band cover of Nirvana's “Smells Like Teen Spirit” was not meant to be a goof. However, unlike Shatner's mangling, Anka pulls it off brilliantly, thanks in part to the suave, sensitive arrangements, but mostly because the Vegas veteran clearly takes the tunes seriously and sees their intrinsic musical and lyrical merit. Whoever did the A&R work made inspired choices as the mix of tunes is eclectic and sometimes daring.

Does American music get much better than this? No. Cash's twangy Sun sides represent the purist distillation of his art: the mournful, unadorned nasally voice bathed in perfectly timed tape delay backed by the “Tennessee Two.” Could there be a White Stripes without Johnny Cash? Not likely. His influence was enormous, yet no one dared to imitate Johnny Cash, so singular was his musical persona.

I turned 50 when the car manufacturer Saab turned 50, so I celebrated my half century, by treating myself to a day at the Skip Barber racing school held in conjunction with Saab's 50th anniversary celebration/annual Saab club convention, which took place that summer (1997) at the beautiful Waterville Valley Ski Resort-no dogs allowed.

The title track is not twice as good as Desmond's surprise jazz “hit” “Take Five,” immortalized on the Time Out album recorded with his regular band mates in the Brubeck quartet, but it has its own serpentine charm, and having Jim Hall comping on guitar instead of Brubeck on piano gives the track a far different, more delicate texture.