Michael, I've got all the American recordings on CD. What I hear on those CDs is a lot of compression, typically on John's close vocal mic. Other than American I, the DR ratings aren't that great. Which is fine, but... the whole enterprise screams digital masters to me. Then of course we have the wonderful "Hurt", which makes artistic use of bona fide digital brickwalling to make its point.
So the question: why vinyl? I can handle the hi-res digital sourcing (a la Sintra and the Universal reissues ) but not the squashed audio. I would pick this up in a second if I knew who mastered it AND what strategy was used. But...if it's just as squeezed as before, no dice captain.
Do you, or anyone here have more details?
LC