when Winds of Change was released I bought it immediately. I was disappointed at first as it was kind of singer/songwriter oriented, not hard rockin' like the Pie, but it really grew on me. BTW, Frampton's autobiography "Do You Feel Like I Do?" is an excellent read.
Peter Frampton’s Limited Edition Frampton@50: In the Studio 1972-1975 All-Analog 180g 3LP Box Set Is Coming Our Way Via Intervention Records on July 28
Peter, we love your way. To wit: iconoclast British guitarist/vocalist Peter Frampton and Intervention Records have collectively announced that his all-analog Frampton@50: In The Studio 1972-1975 180g 3LP box set is being readied for release on July 28. This numbered, limited edition tops out at 2,500 copies.
Frampton@50 comprises three key albums from Frampton’s early solo career on A&M Records, following his departure from Humble Pie — namely, July 1972’s Wind of Change, May 1973’s Frampton’s Camel, and March 1975’s Frampton. These are three of the four solo releases that directly preceded and mainly fueled the setlist for Frampton’s career-defining double-live album, January 1976’s Frampton Comes Alive!
The Frampton@50 box set comes with an authentic reproduction of the Peter Frampton promo poster that was included only in the earliest original LP copies of Frampton’s Camel, along with a Certificate of Authenticity and a message from Peter himself.
The box set stats are these: The Frampton@50 LPs have been “100 percent analog mastered” by Chris Bellman at Bernie Grundman Mastering from the “best-sounding” (their words) analog tape sources available. These 180g LPs have been pressed at Gotta Groove Records in Cleveland, Ohio.
In the videoclip below, Intervention Records head honcho Shane Buettner and mastering maestro Chris Bellman discuss their all-analog process — “no baking!” Bellman confirms at one point, and Buettner reiterates IR’s “no hot stampers!” policy — and Frampton himself chimes in along the way too. (Toward the end of the clip, Frampton does something I bet we’ve all done at one time or another with our favorite new LPs, right out of the sleeve.)
I’ve personally interviewed Frampton a number of times over the years. and we’ve often discussed how important vinyl is to him, both then and now. “Vinyl is instrumental to my listening habits,” Frampton confirmed with me before adding, “The last thing I played on my vinyl setup at home before I left for the [summer 2019 leg] of my Finale: Farewell Tour was my original mono version of [The Beatles’ seminal June 1967 LP] Sgt. Pepper.”
Frampton also told me the very first LP he bought growing up in the UK was the mono version of The Shadows’ self-titled September 1961 release on Columbia, The Shadows. “Before I got the album, I got all the singles, because in those days, you didn’t put the single on the album,” Frampton recalled. “The album was a separate entity. You had like three hit singles, and then the record company thought, ‘Well, if they had three hit singles, maybe we can do an album with this band.’ That’s the way it worked.”
Back to the box! The jackets for all three Frampton@50 LPs are “old style” tip-ons by Stoughton Printing, with Wind of Change and Frampton’s Camel both sporting the “brown-in” blanks true to their original UK LP releases. The original LPs for Frampton came with an inner sleeve with lyrics printed on both sides, which Intervention has expanded to comprise the interior panels of its 1LP gatefold. All three LP jackets in this box set are printed on heavy stock, and they’re also film-laminated.
The box set itself comes in a deluxe slip case, with a matte-textured finish and spot Gloss UV highlighting the main image, and it boasts double-pass foil numbering.
The SRP for the Frampton@50 box set is $159.99, and it can be pre-ordered directly from Intervention Records right here. Additionally, Frampton’s own official webstore has an exclusive allocation of 250 Frampton@50 vinyl box sets that include an autographed version of the aforementioned Frampton's Camel promo poster, with the proceeds benefitting the Peter Frampton Myositis Research Fund. This SRP for this special version of the box set is $259.00, and it can be pre-ordered here.
PETER FRAMPTON
FRAMPTON@50: IN THE STUDIO 1972-1975
LIMITED EDITION BOX SET
180g 3LP (Intervention Records)
WIND OF CHANGE (1972)
Side One
1. Fig Tree Bay
2. Wind Of Change
3. Lady Lieright
4. Jumping Jack Flash
5. It’s A Plain Shame
6. Oh For Another Day
Side Two
1. All I Want To Be (Is By Your Side)
2. The Lodger
3. Hard
4. Alright
FRAMPTON’S CAMEL (1973)
Side One
1. I Got My Eyes On You
2. All Night Long
3. Lines On My Face
4. Which Way The Wind Blows
5. I Believe (When I Fall In Love With You It Will Be Forever)
Side Two
1. White Sugar
2. Don’t Fade Away
3. Just The Time Of Year
4. Do You Feel Like We Do
FRAMPTON (1975)
Side One
1. Day’s Dawning
2. Show Me The Way
3. One More Time
4. The Crying Clown
5. Fanfare
Side Two
1. Nowhere’s Too Far (For My Baby)
2a. Nassau
2b. Baby, I Love Your Way
3. Penny For Your Thoughts
4. (I’ll Give You) Money
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and I loved it. It had so much energy for a studio recording, and I was already a Marriott fan from his Small Faces days. Having said that, the Fillmore album was one of the best live releases of its time. That's the one I still play. It's too loud for my wife to enjoy, at least the way I set the volume...
Answers vary by day, but….sticking to rock/popular…
I consider ‘Waiting for Columbus’ to contain the definitive version of each song it contains.
Be Bop Deluxe’s ‘Live in the Air Age’ is similarly great.
If ‘Stop Making Sense, counts, it’s on the list. If not, then ‘The Name of the Band is Talking Heads’ slides in.
I like ‘Rock of Ages,’ yeah, it rates.
The expanded and less compressed rerelease of ‘Made in Japan’ really tickles my fancy.
It’s too proggy, but Yessongs spent time in the hazy high school party rotation.
Bob Marley’s two live albums are well done.
Neil Young, The Rolling Stones, and The Grateful Dead all have so much enjoyable live material, I don’t keep a ranking of their live recordings.
I haven’t played any live Paul Simon records in a long time, I remember them as being pretty good.
I’m sure I will slap myself on the forehead when people mention theirs!
Allman's at The Fillmore is hands down the #1 best live album ever released. The Pie is up there as well, but now since I'm thinking about live albums, Ellington at Newport, Count Basie at Newport and The J Geils Band's Full House is also up there, however the bootleg/WPLJ radio broadcast from the last night at The Fillmore (Allman's were on that bill as well) is even better. That one needs a ligitamate full show release (songs have been released on various CD's but not the entire show).
Two of my favorites: Little Feat- Waiting for Columbus, and Wishbone Ash- Live Dates
If that’s the Hendrix collection that has his cover of ‘Wild Thing,’ best version of that song, ever.
Very dynamic recording, as well!
Winterland
Rykodisc in 1987.
https://m.youtube.com/watch?v=VbLIq8DWLjU
Alas, digital.
The album is worth checking out.
Hi Mike
Thanks for the Argus news. Looking forward to the box set. As far as Live Dates is concerned; not sure who manufacured the 2 LP's in 1973, however after some 50 years and hundreds of plays. the records still sound like new. I have the pink MCA label, Made in England , probably the best quality vinyl I have.
Regards
Great live collection.
His 'residency' at The Fillmore was killer.
We lived there then and caught 5 of the shows...he was in a great mood each night.
Really miss that guy.
...not part of the box? Lack of tapes, ownership problems maybe? It seems to me the obvious question that no one is asking.
I never intended this as a completist set, hence it's called "In the Studio 1972-1975" and not "The Complete Studio Albums" or something like it. I dd the three albums I thought absolutely essential to track Peter's growth from Humble Pie to Solo Superstardom. If there is enough demand we may very well revisit this decision and do Something's Happening at a later date standalone. I'm sure Peter would be up for it!
All of the experiences I've had with the A&M catalog suggest there are viable tape sources for it, and for this project we had several sets of tapes to evaluate, some from the 1990s era A&M Safety Program and others contemporaneous to the 70s. So no, wasn't a question of tapes not being available.
Consider them both considered!
Working with Peter and his team is AMAZING! Already talking.