What's June without a hi-fi show? With Stereophile's exhibition put on hold for 2000 while emapUSA sorts out future possibilitiesManhattan in May 2001 is the most probable place and dateI flashed on High End 1996 in Frankfurt, Germany, a June show I'd attended and reported on in this column. German audiophiles were still heavily into vinyl back then, so why not hit High End 2000?
Sempersonus, a new audio company based in Lisbon, Portugal just announced its first product: a turntable based upon an idler wheel-type drive it calls "Epicyclic Drive", because the motor and pulley directly drive the platter's inner rim.
Joni Mitchell played The Theater at Madison Square Garden recently, supporting her new CD, Both Sides Now. Mitchell with symphony orchestra sounded like a no-brainer, so we got tickets, though by the time my friend was able to get through online to Ticketmaster the best seats were gone. We got second-best accommodations for $75, which seemed reasonable, given the cost of rehearsing an orchestra, then traipsing around the country with it.
Don Was, community organizer. Who would have thought? There's long been a Blue Note "community" but it's a loose knit, worldwide group of like-minded label enthusiasts that have kept the Blue Note flame glowing. The fans remained true even as the company changed hands, lost artistic focus, engaged in self-exploitation and occasionally tried to re-invent itself into something it was not.
After the messy "supergroup" hype surrounding Blind Faith—more a one-off money maker than a group formed to last—Eric Clapton decided to downplay his fame and so was born in 1970 Derek and the Dominoes and the Layla... double LP that initially flopped. Many people today forget that, but flop it did. It didn't help that it was a costly double LP by an "unknown" group.
BS&T fans fall into 4 camps: the 1st which prefers the Al Kooper led original group and the album Child is Father to the Man, the 2nd that prefers only the second eponymously titled album, which was the group's most popular, the 3rd camp that loves the first two albums and the 4th camp that loves all of the group's albums. This box is definitely for them.
A pleasant surprise arrived at my door the other day: the 180gm vinyl edition of Companion, the Patricia Barber album released last year on Premonition/Blue Note. According to the jacket, the six-track set, impeccably recorded live in Chicago last July by Jim Anderson, was mastered from a 24-bit transfer of an analog recording. You can bet the vinyl sounds better than the 16-bit CDat less than 20 minutes a side, there's plenty of room for the recording's full dynamics.
That new record you just unboxed probably came shrink-wrapped or in a perforated sealed bag. Maybe it has a sticker or two on it or it's a numbered limited edition. Watch how all of this happens in this just produced video shot at Furnace Manufacturing with founder Eric Astor. And then go to Furnace's brand new, soon to be operational vinyl pressing plant that will also incorporate the packaging facility, which has outgrown its current location. Furnace began in the 1990s as a production and packaging agent for indie and major labels—perhaps you’re unsure about what that exactly means. After watching the video you will—and perhaps you'll come to appreciate an LP production cost you've not before considered.