LATEST ADDITIONS

Michael Fremer  |  Apr 01, 2011  |  0 comments

More than enough has been written about this album for me to attempt to add anything of value to the mix. It's the best selling jazz album ever and continues to sell the way Pink Floyd's Dark Side of the Moon does in the rock world.

 |  Apr 01, 2011  |  1 comments

Long lost and once thought destroyed, Sundazed Records’ tape- sleuth-in-chief Bob Irwin recently located the original mono master tape of The Mama’s and the Papas 1966 debut album If You Can Believe Your Eyes and Ears (Dunhill D50006).

Michael Fremer  |  Apr 01, 2011  |  0 comments

Neil plays, Daniel "La-noise" manipulates. The result is a solo album—a man and his guitar— that takes on gargantuan proportions as it throbs, undulates, oozes, howls, flows, rattles and hums through a series of reminiscences, philosophical discussions, entreaties and proclamations of faith that only an older man could possibly produce and deliver with such rich and fervent authority.

Michael Fremer  |  Apr 01, 2011  |  1 comments

Bootlegs, outtakes and unreleased material mostly interests completists, scholars and obsessive fans. Usually, the quality and significance declines with each new archival release, but not with Bob Dylan.

Michael Fremer  |  Apr 01, 2011  |  2 comments

ORG Music is a new division of ORG, the label that's been reissuing mostly classic jazz titles over the past few years along with the heart of Nirvana's catalog. ORG Music will specialize in classic rock reissues, with an enhanced, extra track edition of this Tom Petty breakthrough album  coming first.

Michael Fremer  |  Apr 01, 2011  |  2 comments

It's easy to understand why some youngsters don't get Dylan. Everybody sings like him now but no one did back then and at first only a few could take the unadorned voice (referencing the Dylan on these old recordings, not the current croaker).

Michael Fremer  |  Apr 01, 2011  |  0 comments

Little Feat was never an "album" band, even though they released many good records. They were low concept and high boogie. The groove was cerebral though, not the mindless "good time" endless fist pump variety mainly because of the playful and smart Lowell George. Lowell was from Baltimore,MD.

Michael Fremer  |  Apr 01, 2011  |  2 comments

Still, some might find the new records too aggressive. I’m not in that group, but it sounds as if Mr. Grossinger mastered the original LPs, manipulating the tonal balance as he saw fit, whereas it sounds as if the GZ folks just took the files they were sent and cut. I’m just surmising that. It could be the ‘soft’ lacquer versus the ‘hard’ copper.

Michael Fremer  |  Mar 30, 2011  |  First Published: Dec 31, 1969  |  1 comments

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