This slab of red vinyl got plopped on the turntable and listened to before the unnoticed press blurb stuffed into the gatefold jacket made returning it from where it came impossible.
Only in retrospect does the “high concept” of Marshall Crenshaw’s remarkable 1982 debut assert itself: marry infectious ‘50s and ‘60’s-like rock’n’roll tunes with the then modern chorus guitar effects popularized by The Police’s Andy Summers. Maybe that wasn’t the plan, but that’s sure what it sounds like! That, or what a vintage Seeburg or Wurlitzer juke box would sound like heard from outside of the malt shop teen hang out.
The indie rocker Sufjan Stevens brings a surprising and delightful buoyancy and sense of wonderment to his orchestral suite commissioned by the Brooklyn Academy of Music to celebrate the 25th anniversary of its “Next Wave” Music Festival. The original debut performances were in November of 2007.
Icy cold vistas, shards of broken electronic glass, relentless thumping disco beats and possible mysteriously encrypted bits of dialogue may not sound like something that would be particularly inviting on a full range audio system, but somehow Fuck Buttons makes it so on this album of artificial mayhem and just plain noise.
The first Blood, Sweat and Tears group led by Al Kooper and including his former Blues Project bandmate Steve Katz, was the sophisticated assemblage that produced but one album. This one.
Was this the greatest rock and roll concert recording ever as some suggest? Is it deserving of deluxe box set status? The producers of this ultra-sumptuous box obviously thought so!
This album was issued back in 2008 but gets reviewed here because though the name Nada Surf has popped through my consciousness for years, I’d never heard them. I know, I can go online and listen and probably even steal all of their stuff for free but I’m not wired like that, so I actually went out and bought this album on vinyl without hearing a note.