LATEST ADDITIONS

Michael Fremer  |  Mar 01, 2009  |  0 comments

Deerhunter opens Microcastle with a Pink Floyd-like grand musical flourish taken at midtempo lysergic trail speed. The floating, vibrating textures give way to an insistent, deliberate, Wire-like beat that the group rides for a while before switching to dream-like reverie resplendent of Eno’s ambient projects merged with moodiness the late Syd Barrett might be proud to call his own.

Michael Fremer  |  Mar 01, 2009  |  0 comments

In a 1991 book called The Worst Rock’n’ Roll Records of All Time, music critics Jimmy Guterman and Owen O’Donnell declare Van Dyke Parks’ Song Cycle the 23rd worst rock’n’roll album of all time.

Michael Fremer  |  Mar 01, 2009  |  1 comments

Larry “Ratso” Sloman’s annotation brings into sharp, entertaining focus this collection of vital Dylan outtakes, alternative takes, unreleased tracks and live performances from 1989’s Oh Mercy sessions through his most recent 2006 release Modern Times.

Michael Fremer  |  Mar 01, 2009  |  0 comments

Lou Reed’s bleak Berlin album dropped with a thud when first released back in 1973. The fans were probably expecting Transformer 2 and a “Walk on the Wild Side” reprise, but Lou was having none of that. He was moving on and down (both chart-wise and thematically) but times eventually catch up to vision and that’s the case with Berlin.

Michael Fremer  |  Mar 01, 2009  |  0 comments

The gift of uniqueness can easily become the curse of familiarity, easy identification and in the worst case, self-parody.

Michael Fremer  |  Mar 01, 2009  |  0 comments

Laura Nyro’s most personal, mature and intense album of love’s struggles proved to be the stopping point for many fans of the earlier gospel-y good time Nyro who sung “Stoned Soul Picnic,” “Eli’s Comin’,” “Wedding Bell Blues,” “Stoney End,” and even “And When I Die,” which was celebratory despite the song’s morbid title.

Michael Fremer  |  Mar 01, 2009  |  0 comments

Calling Ricki Lee Jones’s Pop Pop an “enduring” audiophile classic would be an understatement, though getting a copy on vinyl has been difficult until now.

Michael Fremer  |  Mar 01, 2009  |  0 comments

Listening to this previously unreleased 1971 Royal Albert Hall live performance makes clear that by this time The Byrds were little more than Roger McGuinn’s backing band, but with Clarence White on guitar, Skip Battin on bass and Gene Parsons on drums, what a good backing band!

Michael Fremer  |  Mar 01, 2009  |  0 comments

Can rock’n’roll still be dangerous in the 21st century? Escovedo’s latest says “yes” with conviction. Produced by veteran Tony Visconti (I don’t have to cite credits do I?), this is a tight, hard-hitting package of unadorned guitar-driven rock that opens with a tune that sounds like a Bruce Springsteen demo track recorded at a time when Bruce’s music and his performances raged with authenticity.

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