LATEST ADDITIONS

When Rhino released in 2016 John Coltrane—The Atlantic Years—in Mono box set, one LP was missing: My Favorite Things. The set did include a 7" 45rpm single of the title track. The long thought destroyed in the Atlantic fire (yes, they had one too) has been found, according to The Electric Recording Company's Pete Hutchison.

"Today, Ghostly International, Numero Group and Secretly Group record labels Dead Oceans, Jagjaguwar and Secretly Canadian all join forces to announce Paved Paradise, a traveling expo bringing their music to parking lots this fall. Over the course of September 9th-26th, a 24-foot Penske truck helmed by several of Secretly's sonic specialists will visit 15 cities in the eastern United States. From the birthplaces of Secretly, Ghostly and Numero in Bloomington, Detroit and Chicago, to Third Man Records in Nashville, the Rock & Roll Hall of Fame in Cleveland, and a community of breweries, flea markets and independent venues in between, Paved Paradise will take the record store experience outdoors, with special guests and local collaborations set for every stop."

Third Man Records recently announced this 4 LP box set containing 42 tracks not available on the Sony/Legacy 2 LP set edition of Bob Dylan-Springtime In New York: The Bootleg Series, Vol. 16 (1980-1985) (the tracks will be included in the deluxe 5 CD box set). To purchase this set you must subscribe to Third Man Records Vault ($65/quarter) and you'll automatically receive it.

On March 6, 1961, world-class tenor saxophonist and vibes player Tubby Hayes (1935-1973) regarded as the finest musician on the British modern jazz scene signed a contract to record for the U.K. Fontana label. He had previously recorded for small jazz specialist label Tempo. Though the new contract didn’t provide for an advance or a money guarantee, Fontana was a major label that issued all types of recordings and could provide for his records better distribution and promotion including possible U.S. distribution. Hayes was the first bop generation British musician awarded a major label contract. Hard as it may be to imagine today, the signing was not only jazz news, but major music news worth of a “Melody Maker” cover story.