LATEST ADDITIONS

Michael Fremer  |  Apr 24, 2020  |  22 comments
From the Sam Records press release:

“By the late 1940s, the emergence of vinyl records created new opportunities for graphic artists to express their talent. The new 12'' square format seemed particularly suitable for experimentation and many labels became reputed for their innovative designs. Amazingly gifted artists such as David Stone Martin, Jim Flora, Pierre Merlin, Burt Goldblatt or Reid Miles, to name just a few, made a name for themselves illustrating or designing jazz record covers.

Michael Fremer  |  Apr 24, 2020  |  19 comments
Amoeba Music with record stores in Hollywood, Berkeley and San Francisco says that due to the Covid-19 virus it faces an "uncertain future" as all three stores since mid-March have been shut down. Savings are running out and while the company is paying staff salaries it cannot continue much longer without help from customers and friends.

Michael Fremer  |  Apr 23, 2020  |  2 comments
Cushioned by the Netherlands-based Matangi String Quartet, plus bass drums, percussion and occasional guitar, singer/songwriter/pianist Lori Lieberman delivers a tender, occasionally excruciatingly intimate song cycle replete with regret, heartache, abandonment, longing and loss.

Michael Fremer  |  Apr 21, 2020  |  13 comments
WAM Engineering's new universal WallyTractor is now available from the newly formed company, a partnership between the late Wally Malewicz's son Andrzej, himself a mechanical engineer and Wally's former production assistant J.R. Boisclair. They've just launched the Wallyanalog website where you will find complete details of the new $395 universal WallyTractor and the available services the Santa Rosa, CA based company provides.

Michael Fremer  |  Apr 21, 2020  |  1 comments
Subscription series based Newvelle Records has opened the vaults for a limited time to help ease the missing Record Store Day pain. Now through the Sunday April 26th, selected Newvelle titles are available as single LPs priced at $60 each.

Malachi Lui  |  Apr 16, 2020  |  5 comments
Staffers stealing beer crates every night. £5000 in cash misplaced and incinerated by New Years’ Eve pyrotechnics. A lighting engineer stealing equipment for his own rental business. Seemingly endless tax problems.

Starting with their solicitor’s £5000 company registration fee (compared to the £175 DIY cost), Factory Records’ Manchester, England nightclub, the Haçienda, quickly became a financial black hole and later a cultural icon. Established between Factory and New Order at manager Rob Gretton’s insistence, it opened in 1982 at the corner of Whitworth Street West and Albion Street, in a former yacht warehouse. Assigned the Factory catalogue number FAC 51, it established an amalgamation of the era’s Manchester and New York’s clubs, always being too far ahead of its time. In The Hacienda: How Not To Run A Club, former Joy Division/New Order bassist (and Haçienda co-owner) Peter Hook (aka Hooky) recounts the club’s inner workings, with Andrew Holmes providing additional context blurbs between Hook’s stories.

Michael Fremer  |  Apr 16, 2020  |  9 comments
Alto saxophonist, improv great Lee Konitz who was associated with every style from bebop to avant-garde and especially cool jazz died today at age 92 a victim of the coronavirus.

Michael Fremer  |  Apr 14, 2020  |  33 comments
The hi-fi world has lost a giant, and we at Stereophile have lost a brother.

Art Dudley passed peacefully this morning around 4am after a short illness. The cause was metastatic cancer.

Malachi Lui  |  Apr 13, 2020  |  15 comments
(Review Explosion is a recurring AnalogPlanet feature covering recent releases for which we either don’t have sufficient time to fully explore, or that are not worthy of it. Curated by AnalogPlanet contributing editor Malachi Lui, Review Explosion will focus on the previous few months’ new releases as well as archival titles and reissues.)

Malachi Lui  |  Apr 09, 2020  |  120 comments
(“Hype: to promote or publicize something intensively, often exaggerating its importance or benefits.” We all succumb to hype, either from others’ high recommendations or our own excitement and anticipation. Once something falls short of those expectations, we rush to denounce it as “overhyped;” not necessarily bad, but underwhelming for however much we expect. Today’s Vinyl Reports feature centers around such overhyped records.)

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