Last Spring when analogPlanet editor Michael Fremer visited analogPlanet contributing editor Malachi Lui at his Portland, Oregon home, the two visited record stores, interviewed Discogs founder Kevin Lewandowski, shot a not yet published video at Cascade Record Pressing and toured Woodblock Chocolate Manufactory, which as you will see resembles in some ways a record pressing plant.
On her latest proper album Charli, British pop star Charli XCX creates a work that epitomizes, with an artsy bend, all of 2010’s pop music’s hallmarks. Blown out, hyper-compressed production, glistening synths, giant drum machines, and digitally-stressed vocals are in abundance on Charli, yet the choices that she and executive producer A.G. Cook (known for running the PC Music label) make often surprise the listener. Following the relatively normal and upbeat Troye Sivan-featuring “1999” (no relation to the iconic Prince song, but Charli’s track holds its own) comes “Click,” which thanks to Dylan Brady’s production, in the last third takes a noisy, abrasive left turn. Similarly, Cook and Lotus IV anchor “Cross You Out” with a warped synth bass that oscillates in and out of tune, with other electronic sounds unexpectedly popping out
The previous in-store event at Audio Advisors in West Palm Beach where I spun records in one room while in another, Wilson Audio Specialties' Peter McGrath demoed the WAMM Master Chronosonic Loudpseakers and Mat Weisfeld introduced the new VPI Avenger Direct Drive Turntable went so well, the store asked me back to do a turntable set-up seminar and I could not refuse.
Roger Modjeski passed away December 11th 2019 at age 68 after a year long battle with cancer. He was a brilliant audio engineer who, after working at IBM and teaching at Stanford, joined Harold Beveridge in Santa Barbara, CA where he worked on that designer's electrostatic loudspeakers before becoming a reluctant manufacturer whose no-nonsense products have stood the test of time. He favored teaching and mentoring to manufacturing but managed to do both very well.
When first released in America in 1978 Dire Straits’ debut was an immediate sensation, though cautious record labels at first rejected signing the group until Warner Brothers bit. The original Vertigo release hit the U.K. earlier. Eventually, propelled by the catchy single “Sultans of Swing”, the album was Top Ten throughout Europe and much of the world.
Single-line guitarist Grant Green's fourth Blue Note album released in 1962 is as easy to listen to and relaxing as the title suggests. Kenny Drew is on piano with Ben Tucker, bass and Ben Dixon on drums in a set of six tunes with inspiration and/or vaguely religious themes, three of which are Green originals.
Legendary loudspeaker designer Andrew Jones (KEF, Infinity, TAD/Pioneer and now ELAC) received the Founders Award from The Los Angeles & Orange County Audio Society December 8th at the organization's annual Gala. AnalogPlanet editor Michael Fremer was again asked to "roast" and introduce the recipient.
Blue Note Records just announced the 2020 continuation of the acclaimed Tone Poet Audiophile Vinyl Reissue Series. "Tone Poet" Joe Harley (so named by jazz great Charles Lloyd) produces the series, originally launched in 2019 to honor the label's 80th anniversary. The all-analog 180g series mastered directly from the original master tapes by Kevin Gray at Cohearent Audio and pressed at Camarillo, CA-based RTI features deluxe Stoughton Printing "Old Style" Gatefold Tip-On Jackets.
During my initial two years of record collecting, my dumb self rarely bothered to clean my records, and as an 8-year-old, I didn’t think grabbing records by the grooves it affected anything. Three years into the hobby, I began, with a MoFi brush and ONE solution, obsessively hand cleaning my LPs (as well as handling them properly). However, I never owned a vacuum record cleaning machine (RCM) until AnalogPlanet editor Michael Fremer gifted me one this summer and requested this review.
The French Record Company’s first release is a limited to 200 copies edition of a “never before released but should have been” 1958 recording of pianist Marcelle Meyer playing a Debussy program recorded for the Les Discophiles Francais label (DF 211-212).