LATEST ADDITIONS

Michael Fremer  |  Jun 20, 2019  |  21 comments
Any resemblance between Sumiko’s $899 “Songbird” high output moving coil cartridge and the rest of the Reference line’s “bird” cartridges—the $1249 Blackbird (available in both low and high output versions) and the new $1899 “open architecture” flagship Starling is strictly intentional. Sumiko has been in the cartridge business for decades and these are all made in the same reliably high-quality factory that I visited a few years ago.

Michael Fremer  |  Jun 18, 2019  |  2 comments
Mobile Fidelity's double 45rpm reissue of Aretha's Gold (originally issued in 1969 as Atlantic SD 8227) gets off to not such a great sonic start because though "I Never Loved A Man (The Way I Love You)" and "Do Right Woman-Do Right Man" are musical classics that belong at the head of the hits lineup, the Rick Hall engineered recordings at his Fame Record Studios in Muscle Shoals, Alabama pale in comparison to everything else in this molten set recorded at Atlantic Studios in New York City.

Malachi Lui  |  Jun 17, 2019  |  20 comments
Though my initial February review of Ortofon’s $999 MC Quintet Black S cartridge was quite favorable, one part of my system wasn’t best optimized for the cartridge: the Rega RB330 tonearm’s lack of adjustability meant that my VTA was off by two degrees (90 degrees instead of the preferred 92-93). To combat this issue, AnalogPlanet editor Michael Fremer and I installed Acoustic Signature shims underneath the back of the Rega tonearm. However, with sufficient shims installed to increase the VTA to 92 degrees, unless the tonearm was raised from the record surface, the dust cover wouldn’t close. Since in my house a dust cover is absolutely necessary, I sacrificed having ideal VTA and we only ended up installing a set of 1mm shims to increase the VTA by half a degree.

Michael Fremer  |  Jun 08, 2019  |  25 comments
The reporter called me "Mitchell" Fremer, and you might not recognize me in the photo taken 27 years ago, but the words will be familiar. I laid it all out in 1992 and I was correct! I had completely forgotten about this story and didn't even have a copy. I found it among my wife's aunt's papers.

Michael Fremer  |  Jun 05, 2019  |  2 comments
Buddy Guy’s 1967 Chess release—his first— has nothing to do with San Francisco, nor was it recorded July of 1967 though the jacket says it was. No big deal. Someone (probably Leonard Chess) chose to reference San Francisco because “flower power” was happening and it seemed like a good way to grab the white kids’ interest. The recording date was chosen close to the original release date so it would sound current but in fact, this is a compilation that includes tracks recorded between 1962 and 1967.

Michael Fremer  |  Jun 05, 2019  |  1 comments
Founded in 1982 by the editors-in-chiefs from five European photography magazines to select the "camera of the year", EISA has grown to international stature and now includes groups covering Hi-fi, home theater, mobile phones, in-car electronics and other categories

Michael Fremer  |  Jun 04, 2019  |  5 comments
Audio Connection in Verona New Jersey welcomes Garth Leerer of Musical Surroundings on Saturday, June 8th from Noon to 5pm for our 9th annual Analog Open House.

Michael Fremer  |  Jun 03, 2019  |  First Published: Mar 03, 2005  |  4 comments
van den Hul Grasshopper Condor Gold (Photo: Michael Fremer)

On November 17, 2004, Shure Brothers announced the discontinuation of its legendary V15VxMR moving-magnet phono cartridge, bringing to a close 40 years of V15 cartridges, beginning with the original V15, introduced in 1964 at the then-outrageous price of $62.50.

Malachi Lui  |  May 25, 2019  |  14 comments
Following a turbulent decade battling personal demons in the 1950s, tenor saxophonist Dexter Gordon had mostly faded from the jazz scene by the end of that decade; after all, he only recorded three sessions (two of which he led) in the second half of it. By 1961, however, he began a successful relationship with Blue Note that commenced that year with Doin’ Allright. The Los Angeles-native moved back to New York City for the third time, got rediscovered by jazz listeners, and led a quintet on this album that included Freddie Hubbard on trumpet, Horace Parlan on piano, George Tucker on Bass, and Al Harewood on drums.

Michael Fremer  |  May 21, 2019  |  30 comments
ADDITIONAL NOTE: MY APPEAL WAS REJECTED. THEREFORE, BECAUSE THERE'S 11 SECONDS OF AC/DC PLAYING ON A TURNTABLE IN A ROOM, IF I DO NOT REMOVE THE 11 SECONDS OF THAT MUSIC, THE VIDEO WILL BE BLOCKED. I'M IN THE PROCESS OF DOING THAT, BUT WHAT A LAME MOVE BY SONY MUSIC ENTERTAINMENT! Note:This video was initially blocked by a company called SME, which has nothing whatsoever to do with the turntable and tone arm company SME. This SME is a music publisher related company that trolls the Internet looking for horrible transgressions such as on this video that uses 11.2 seconds of AC/DC's "You Shook Me All Night Long", which was playing on a turntable in a room I visited at High End Munich. The idiocy of this blockage, especially based on 11.2 seconds of incidental background music at a hi-fi show that encourages people to purchase physical media, should be self-evident but as is usual in the music business, an ax is used here instead of a scalpel. Idiots! I am still overseas, but have been told it's been restored while I appeal the copyright strike.

. With just about every new turntable at High End Munich covered, Days 3 and 4 were times to slow down, visit more rooms and have a few record cleaning adventures. Coverage is not finished though. There will be another video coming that you might enjoy.

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