LATEST ADDITIONS

Jonathan Carr (above) sat on the edge of an Ekornes Stressless chair, polishing the blades of my system's AC cords with an almost sexual fervor and intensity. Carr, the talented designer of the Lyra phono cartridges, was on a mission. First we played "You Turn Me On, I'm a Radio," from an original white-label pressing of Joni Mitchell's For the Roses (Asylum/Atlantic SD 5057). After the polishing—almost an hour's worth—we played it again. The difference was not subtle but enormous—as if we'd changed an expensive component. The increase in clarity and focus and the diminution of grunge and hash were easily noticeable, as was the overall richer, warmer sound.

(Gothenburg Sweden, 6-25-2018)— SAT (Swedish Analog Technologies) last week announced that it's begun shipping its next-gen series of pickup arms, the LM-09 and LM-12 and the CF1-09 and CF1-12, both of which went into production last April.

The irony wasn't lost on Stones fans when ABKCO and Universal simultaneously issued Rolling Stones vinyl box sets back in 2010. ABKCO, which owned the group's British Decca-era catalog, hired legendary mastering engineer Bob Ludwig to handle mastering of its catalog while Universal, which controlled the group's own label, released a box set with no mastering credits.

Was I spoiled by the proliferation of analog gear at the High End 2002 show in Frankfurt, Germany? Nah. Home Entertainment 2002 just wasn't a very analog show. Some new and exciting gear appeared, and there were plenty of turntables playing vinyl. But the agenda of HE2002 was multichannel sound and home theater. That's what the organizers wanted, and, at least on the surface, that's what they got. They also got almost 15,000 attendees—a major increase over last year's turnout at the same venue, the New York Hilton.